Yesterday evening, the German Film Critics Association announced the 2020 award winners. The award-winning films also include productions by two DFFB graduates:
Melanie Waelde was presented with the Best First Feature Award for her film NAKED ANIMALS. The jury explained its decision with warm words: “Meanwhile, the film itself takes off and dares itself to be a cinema that refrains from explaining away its characters. The film takes an undogmatical approach to its dramaturgies and gender images (…). The camera throws itself into the fray with relish, wanting to play along with the violent hustle and bustle of a world without parental supervision, in which it is important never to let your guard down. This debut film shows no standstill. Rather, it celebrates movement, flaunting it by letting the characters collide.”
With GIRAFFE, another alumna, Anna Sofie Hartmann, was thrilled to receive the Best Feature Film Award of the year. “On all levels, this film, which oscillates between essay, documentary and fiction, is skillfully directed and is consistently surprising and fresh. (…) Down to the last, fading moment, Anna Sofie Hartmann succeeds in condensing European labour market reality and myth into a whole, which could not be more sober, topical, and enchanting,” said the jury.
The German Critics’ Prize is awarded annually by critics to German film productions that “are not judged according to economic, country-specific, or political criteria, but exclusively according to artistic ones,” explains the VdFk.
We congratulate both teams on their awards!
Demand. The German-Danish film was produced by Komplizen Film in collaboration with Profile Pictures and rbb.
Several DFFB students and alumni worked on the project, which celebrated its world premiere at the Locarno Film Festival in 2019 and has since experienced a successful film festival tour. The team comprises Jenny Lou Ziegel as cinematographer, Jonas Dornbach on the producer team, Ben von Dobeneck in production management, Daria Wichmann in production management, as well as Borbála Nagy, Faraz Fesharaki, Lisa Roling, and Oliver Göbel.
The film is about “A tunnel is to be built to connect Denmark and Germany; the present moves towards the future, change is in the air. (…) A Danish summer: long days turn into blue nights. People meet, then part ways again.”
Worth a look!
Photo Credits: GRANDFILM Distribution
Documentary | 2018 | Israel/Germany | 28 minutes
On some pale blue dot in the Milky Way Galaxy – every day – bread is made – you will see how!
Director: Alexandre Koberidze
Producer: Dana Gal
Cinematographer: Meidan Arama
Short Film | 2017 | Germany | 11 minutes
It’s the 23rd of June 2016. In the UK, a critical referendum is well underway, and across the Atlantic, an ominous American presidential campaign is gathering force. In Sweden, news broadcasting is carrying on as usual. In Germany, however, an identical, yet distorted, news broadcast is simultaneously being constructed by the citizens themselves. In the height of the Berlin summer, the Zeit der Unruhe starts to unfold.
Director: Elsa Rosengren
Author: Elsa Rosengren
Cinematographer: Katharina Wahl
Producer: Nadja Rothkirch
Short Film | 2018 | Germany | 5 minutes
CHAOS is a story about greed and time. It’s a deconstruction of known genres and form.
Director: Samuel Auer
Author: Samuel Auer
Cinematographer: Lukas Eylandt
Producer: Samuel Auer
“There are only a handful of stories that we filmmakers tell over and over again. Therefore, as a director, I am always on the lookout for other forms to tell. For a long time, I wanted to create a film that can be seen both forward and backward and only unfolds completely when seen several times. CHAOS is our attempt to understand time differently and question its linearity. My DOP, Lukas Eylandt, and I wanted to shoot a genre film for a long time and saw this as an opportunity to deconstruct film genres, tell a bank robbery without ever seeing it and mix fairy tales with gangster noir.” – Samuel Auer
Short Documentary | 2017 | Germany/Israel | 24 minutes
EXIT is a film about two women who left the ultra-orthodox community. Sara Murray became ultra-orthodox at the age of 17 when she moved to Israel from the US and met her future husband. She lived a strongly religious and dedicated life until she couldn’t handle the rigidness of her faith anymore. Leaving the ultra-othodox world, she lost all her children who she can now only meet 2 hours a week in a day care center watched by Rabbinical social workers.
Director: Katharina Woll
Author: Katharina Woll
Cinematographer: Daniel Binsted
Producer: Markus Kaatsch, Dana Gal
Short Film | 2014 | Germany | 22 minutes
Thirteen- year-old LIA is in love with the fourteen year-old, perfect, Adam and actually there is no problem at all. Adam is cute, super intellectual, sporty and is interested only in her. Why, she does not know. Something’s very wrong with her, or at least she seems to think so. When Adams parents give the two tickets to their favorite opera and insist that Lias parents come along, troubles begin. Although lovely and warm, Lias parents are animals! Lia is convinced that Adam will separate from her as soon as he finds out. And so Lia just rents new parents. They are perfect just like Adam, or at least she seems to think so.
Director: Rebeca Ofek
Author: Ines Berwing
Cinematographer: Albrecht von Grünhagen
Producer: Rebeca Ofek
Short Film | 2017 | Germany | 12 minutes
From a playground opposite a dark, mystical forest, a young girl peers between the trees in search of the spirit of her recently deceased mother. Feeling a sudden force of attraction, she wanders out alone hoping to find solace. Within, she communicates with the surrounding nature while slowly bringing it to life. She exceeds the borders of reality, making her way into the supernatural. Deep into the forest she finds comfort in an old tree, and by laying down next to it, she feels the warmth of her mother.
Director: Lasse Holdhus
Author: Josef Ulbig
Cinematographer: Antonia Lang
Producer: Henning Wagner, Nadja Rothkirch
Short Documentary | 2017 | Germany | 5 minutes
LUCKY FELLOW is a brief portrait of the Berlin-based artist Kolja Kugler who builds sculptures and robots out of trash.
Director: Samuel Auer
Author: Samuel Auer
Cinematographer: Tobias Gaede
Producer: Tobias Gaede