{"id":371,"date":"2018-01-19T09:42:39","date_gmt":"2018-01-19T08:42:39","guid":{"rendered":"https:\/\/www.dffb.de\/?page_id=371"},"modified":"2026-04-15T16:28:10","modified_gmt":"2026-04-15T14:28:10","slug":"cinematography","status":"publish","type":"page","link":"https:\/\/www.dffb.de\/en\/studies\/cinematography\/","title":{"rendered":"Cin\u00ade\u00admatog\u00adra\u00adphy"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":28930,"parent":369,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"wp_typography_post_enhancements_disabled":false,"footnotes":""},"class_list":["post-371","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":{"info_page_content":"Together, in their first academic year at the DFFB, all students learn the theoretical and practical basics of filmmaking. The focus is on communication and collaboration, and students discover how to offer one another productive feedback and criticism on their projects. Films are made together and for one another. Side by side, students learn new processes, develop their visions, try different approaches, take risks, and dare to fail.\r\n\r\nIn the second academic year, cinematography students receive a thorough education in the technical and creative aspects of their craft. The DFFB believes that it is essential for students of this specialisation to completely master fundamental cinematography techniques in order to fully express their artistic visions. For example, students learn techniques pertaining to camera movements and lighting set-ups, and develop an understanding of space when filming.\r\n\r\nLearning takes place with the newest digital equipment, but special emphasis is placed on working with classical analogue 16 mm and 35 mm film technology.\r\n\r\nCinematography students must also demonstrate respect for story structure, hard work, and collaboration. The goal is for students to develop an approach to their craft that is both clear and individual, and that abides to the fundamental elements of filmmaking.\r\n\r\nCinematic worlds and atmospheres are developed, discussed, and brought to life. The difficult but exciting and creative process of working with light begins and is continuously developed. Students learn how to read scripts and break them down into a cinematic language that serves the story. They also learn how to work as team players and how to collaborate and communicate with actors and directors. They develop confidence in their own skills on set, as well as in the skills of others.\r\n\r\nIn the main studies programme, there are a variety of practical and theoretical classes (see syllabus), which are taught by renowned cinematographers and directors. All of these classes offer students the opportunity to expand their skills and further develop their creative visions.\r\n\r\n<section class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [&amp;:has([data-writing-block])&gt;*]:pointer-events-auto [content-visibility:auto] supports-[content-visibility:auto]:[contain-intrinsic-size:auto_100lvh] R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-WEB:f2542a5d-975d-43ba-8877-239f816c6ec7-0\" data-testid=\"conversation-turn-2\" data-scroll-anchor=\"false\" data-turn=\"assistant\">\r\n<div class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\">\r\n<div class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\">\r\n<div class=\"flex max-w-full flex-col gap-4 grow\">\r\n<div class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+&amp;]:mt-1\" dir=\"auto\" tabindex=\"0\" data-message-author-role=\"assistant\" data-message-id=\"435a775d-b78a-4d92-a490-c6ba791e32d1\" data-message-model-slug=\"gpt-5-3\" data-turn-start-message=\"true\">\r\n<div class=\"flex w-full flex-col gap-1 empty:hidden\">\r\n<div class=\"markdown prose dark:prose-invert w-full wrap-break-word light markdown-new-styling\">\r\n<p data-start=\"0\" data-end=\"124\" data-is-last-node=\"\" data-is-only-node=\"\">A sample insight into the work produced in the seminar \u201cLight and Space \u2013 The Hotel\u201d can be found here: <a href=\"https:\/\/www.dffb.de\/licht-und-raum-das-hotel\/\" target=\"_blank\" rel=\"noopener\">Seminar Film Library<\/a><\/p>\r\n\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/section>&nbsp;\r\n<p style=\"text-align: right;\"><em>Michael Bertl<\/em><\/p>","custom_page_menu":"<a href=\"https:\/\/www.dffb.de\/studium\/?lang=en\">Studies<\/a>\r\n\r\n<a href=\"https:\/\/www.dffb.de\/application\/?lang=en\">Application\u00a0<\/a>\r\n\r\n<a href=\"https:\/\/www.dffb.de\/studies\/faq\/?lang=en\">FAQ<\/a>","flex_content_on_pages":[{"acf_fc_layout":"zeile_mit_boxen","linke_box":"<h1 style=\"text-align: center;\">Cinematography<\/h1>","rechte_box":"<h2 style=\"text-align: center;\">In a dark room - frame, format, focal length, perspective, position, movement, tempo, rhythm, colour, contrast, and light; emotion, atmosphere, characters, and story - Cinematography.<\/h2>"}],"personen_hinzufugen":""},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Cinematography - DFFB<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.dffb.de\/en\/studies\/cinematography\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cinematography - DFFB\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.dffb.de\/en\/studies\/cinematography\/\" \/>\n<meta property=\"og:site_name\" content=\"DFFB\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/deutschefilmundfernsehakademieberlin\/\" \/>\n<meta property=\"article:modified_time\" content=\"2026-04-15T14:28:10+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.dffb.de\/wp-content\/uploads\/2018\/05\/Sort-Sol_by-Jonas-Friedrich_83742_preview.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1500\" \/>\n\t<meta property=\"og:image:height\" content=\"1000\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.dffb.de\/en\/studies\/cinematography\/\",\"url\":\"https:\/\/www.dffb.de\/en\/studies\/cinematography\/\",\"name\":\"Cinematography - 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