{"id":3576,"date":"2018-03-30T14:38:46","date_gmt":"2018-03-30T12:38:46","guid":{"rendered":"https:\/\/www.dffb.de\/?p=3576"},"modified":"2018-11-21T13:50:32","modified_gmt":"2018-11-21T12:50:32","slug":"filmsparks-50-years-dffb-hinderk-emrich","status":"publish","type":"post","link":"https:\/\/www.dffb.de\/en\/filmsparks-50-years-dffb-hinderk-emrich\/","title":{"rendered":"FILMSPARKS \u2014 50 Years DFFB: Hin\u00adderk Emrich"},"content":{"rendered":"

The com\u00adplex ques\u00adtion posed to me is excit\u00ading because cin\u00ade\u00adma is all about work\u00ading on and in a con\u00adtra\u00addic\u00adto\u00adry medi\u00adum with many chal\u00adlenges. The live\u00adli\u00adness of the \u201ccin\u00ade\u00admat\u00adic expe\u00adri\u00adence\u201d \u2013 strange\u00adly fic\u00adtion\u00adal, tech\u00adni\u00adcal and also very real and sen\u00adsu\u00adal, even \u201cmusi\u00adcal\u201d all at the same time \u2013 has a \u201cway of touch\u00ading peo\u00adple\u201d that leads to psy\u00adcho\u00adlog\u00adi\u00adcal changes that extend right into the per\u00adson\u00adal and pro\u00adfes\u00adsion\u00adal life and change it. The film\u00admak\u00ader J\u00f6rg Gras\u00ader once spoke of cin\u00ade\u00adma as a sub\u00adsti\u00adtute for reli\u00adgion and Gilles Deleuze of its \u201cCatholi\u00adcism.\u201d<\/span><\/p>\n

What does \u201cinflu\u00adenc\u00ading the per\u00adson\u201d mean in this sense? Encoun\u00adters here are not only encoun\u00adters with indi\u00advid\u00adu\u00adals, but with a col\u00adlec\u00adtive and in some respects even \u201carche\u00adtyp\u00adal\u201d char\u00adac\u00adter. \u201cBig films\u201d radi\u00adate some\u00adthing like a \u201csuper\u201d indi\u00advid\u00adual being, cre\u00adat\u00aded by a large group of peo\u00adple, who dri\u00adven by a cer\u00adtain theme, shape the effec\u00adtive\u00adness of an emo\u00adtion\u00adal and intel\u00adlec\u00adtu\u00adal flu\u00adid\u00adi\u00adty, which is not only intel\u00adlec\u00adtu\u00adal\u00adly, not mere\u00adly fac\u00adtu\u00adal for itself and oth\u00aders, but also resem\u00adbles a simul\u00adta\u00adne\u00adous\u00adly indi\u00advid\u00adual and inter-per\u00adson\u00adal char\u00adac\u00adter.<\/span><\/p>\n

In this sense, \u201cencoun\u00adters\u201d and psy\u00adcho\u00adlog\u00adi\u00adcal changes are nev\u00ader one-dimen\u00adsion\u00adal. Rather, peo\u00adple always express them\u00adselves in res\u00ado\u00adnance with phe\u00adnom\u00ade\u00adna, in forms of expe\u00adri\u00adence that over\u00adlap and at the same time con\u00adtra\u00addict each oth\u00ader. Rain\u00ader Wern\u00ader Fass\u00adbinder, for exam\u00adple, as a deeply lone\u00adly per\u00adson, has a con\u00adstant kalei\u00addo\u00adscop\u00adic exchange with his staff and actors and (in the spir\u00adit of Michael The\u00adunis\u00adsen and his book \u201cDer Andere\u201d) \u201ctrans\u00adformed\u201d him\u00adself respec\u00adtive\u00adly. To put it in Hegel\u2019s words: we are what we are, always simul\u00adta\u00adne\u00adous\u00adly the oth\u00ader of our\u00adselves. This \u2013 in the realm of cin\u00ade\u00adma \u2013 is trig\u00adgered by the \u201cnat\u00adur\u00adal\u201d char\u00adac\u00adter of the film expe\u00adri\u00adence, which is always fic\u00adtion\u00adal and yet at the same time tech\u00adni\u00adcal\u00adly pro\u00adduced.<\/span><\/p>\n

In my case, a very ear\u00adly impres\u00adsion came about through the fact that both my par\u00adents per\u00adformed in the\u00adatre plays as teach\u00aders, where\u00adby I was allowed to act in plays writ\u00adten by my moth\u00ader \u2013 on the stage and as a drum\u00admer in front of the stage \u2013 which had a strong for\u00adma\u00adtive effect on me ear\u00adly on. At the age of thir\u00adteen, I bought myself a 8\u2011mm film cam\u00adera and my first great film expe\u00adri\u00adence was Kalatozov\u2019s WENN DIE KRANICHE ZIEHEN (The Cranes Are Fly\u00ading), which effect\u00aded me so deeply that it became clear to me \u2013 great film can tru\u00adly be a work of art.<\/span><\/p>\n

In my opin\u00adion, peo\u00adple are not so much shaped by facts as by the flu\u00adid\u00adi\u00adty that car\u00adries these facts. This flu\u00adid\u00adi\u00adty rep\u00adre\u00adsents an intel\u00adlec\u00adtu\u00adal-spir\u00adi\u00adtu\u00adal space, an inter\u00adper\u00adson\u00adal, real\u00adi\u00adty-cre\u00adat\u00ading ener\u00adgy in us \u2013 ulti\u00admate\u00adly a meta\u00adphys\u00adi\u00adcal real\u00adi\u00adty \u2013 that con\u00adstant\u00adly shapes, trans\u00adforms, and influ\u00adences us anew in our life. In this con\u00adtext, we often speak of trans\u00addis\u00adci\u00adpli\u00adnary sci\u00adences. But what does that mean? Today, trans\u00addis\u00adci\u00adpli\u00adnar\u00adi\u00adty is usu\u00adal\u00adly noth\u00ading more than pure addi\u00adtion, not a real pen\u00ade\u00adtra\u00adtion into a new field of knowl\u00adedge in the sense of a deep\u00ader dis\u00adcov\u00adery, even an enlight\u00aden\u00adment. Con\u00adverse\u00adly, how\u00adev\u00ader, it can be the case that knowl\u00adedge in one field, e.g. psy\u00adchi\u00ada\u00adtry, psy\u00adcho\u00adanaly\u00adsis, or brain research applied to a com\u00adplete\u00adly dif\u00adfer\u00adent field, such as art or phi\u00adlos\u00ado\u00adphy, can pro\u00adduce a com\u00adplete\u00adly new per\u00adspec\u00adtive in the over\u00adall con\u00adtext of \u201clife\u201d. In my pro\u00adfes\u00adsion as psy\u00adchi\u00ada\u00adtrist and psy\u00adchother\u00ada\u00adpist, through expe\u00adri\u00adences in phi\u00adlos\u00ado\u00adphy and art, I have been able to fun\u00adda\u00admen\u00adtal\u00adly pur\u00adsue my pro\u00adfes\u00adsion in a new way and not only to endure the cer\u00adtain grav\u00adi\u00adty of the job of a psy\u00adchi\u00ada\u00adtrist, but also to exer\u00adcise it with a new inter\u00adest, new enthu\u00adsi\u00adasm and new cre\u00adative pow\u00ader, because the uni\u00adver\u00adsi\u00adty at which I was work\u00ading allowed me the free\u00addom to do so (Medi\u00adzinis\u00adche Hochschule Han\u00adnover). <\/span><\/p>\n

In my phi\u00adlos\u00ado\u00adphy stud\u00adies, I was influ\u00adenced by pro\u00adfes\u00adsors such as Arno Baruzzi, Dieter Hen\u00adrich, Robert Spae\u00admann (Munich) and Michael The\u00adunis\u00adsen (Berlin). Each of these philo\u00adsoph\u00adi\u00adcal per\u00adson\u00adal\u00adi\u00adties exud\u00aded a tremen\u00addous res\u00ado\u00adnance in my life, for my intel\u00adlec\u00adtu\u00adal, spir\u00adi\u00adtu\u00adal for\u00adma\u00adtion, which had a fun\u00adda\u00admen\u00adtal effect on my pro\u00adfes\u00adsion as a psy\u00adchi\u00ada\u00adtrist and psy\u00adchother\u00ada\u00adpist, because it was pre\u00adcise\u00adly through philo\u00adsoph\u00adi\u00adcal reflec\u00adtion that new ther\u00ada\u00adpeu\u00adtic and ana\u00adlyt\u00adi\u00adcal per\u00adspec\u00adtives arose.<\/span><\/p>\n

Inter\u00addis\u00adci\u00adpli\u00adnary, schol\u00adar\u00adly artis\u00adtic and philo\u00adsoph\u00adi\u00adcal work can indeed lead to enor\u00admous break\u00adthroughs in knowl\u00adedge and changed per\u00adspec\u00adtives in pro\u00adfes\u00adsion\u00adal work and per\u00adson\u00adal\u00adi\u00adty devel\u00adop\u00adment. In my schiz\u00ado\u00adphre\u00adnia research, for exam\u00adple, I took as my start\u00ading point a philo\u00adsoph\u00adi\u00adcal idea from the tran\u00adscen\u00adden\u00adtal philoso\u00adpher Johann Got\u00adtlieb Fichte, who in his \u201cWis\u00adsenschaft\u00adslehre\u201d lays out the con\u00adcep\u00adtion of the \u201cspon\u00adtane\u00adity of I\u201d and thus devel\u00adops the self-con\u00adsti\u00adtu\u00adtion of the sub\u00adject and its con\u00adstruc\u00adtive\u00adness. This has now been of enor\u00admous impor\u00adtance for schiz\u00ado\u00adphre\u00adnia the\u00ado\u00adry with regard to the dilem\u00adma of inter\u00adnal cen\u00adsor\u00adship mech\u00ada\u00adnisms in the brain. In neu\u00adro\u00adbi\u00ado\u00adlog\u00adi\u00adcal brain research, my research group was able to prove the defec\u00adtive con\u00adnec\u00adtiv\u00adi\u00adty in the brain of schiz\u00ado\u00adphrenic peo\u00adple by using func\u00adtion\u00adal MRI (mag\u00adnet\u00adic res\u00ado\u00adnance imag\u00ading) mea\u00adsure\u00adments.<\/span><\/p>\n

The pos\u00adsi\u00adbil\u00adi\u00adty of such inves\u00adti\u00adga\u00adtions has yield\u00aded fur\u00adther find\u00adings in the var\u00adi\u00adous fields of psy\u00adchi\u00ada\u00adtry, e.g. also in the field of synaes\u00adthe\u00adsia research. These results, how\u00adev\u00ader, could only emerge on the basis of the syn\u00adop\u00adsis of psy\u00adcho\u00adlog\u00adi\u00adcal, philo\u00adsoph\u00adi\u00adcal and ulti\u00admate\u00adly artis\u00adtic intu\u00adition for psy\u00adchi\u00adatric anthro\u00adpol\u00ado\u00adgy. All this, how\u00adev\u00ader, was ulti\u00admate\u00adly trig\u00adgered by a dream, about 35 years ago, a fever\u00adish dream in which F. Dos\u00adtoyevsky appeared to me and informed me: \u201cYou\u2019ve read my nov\u00adel The Dou\u00adble<\/i> incor\u00adrect\u00adly. It is not about the divi\u00adsion of the ego in schiz\u00ado\u00adphre\u00adnia, but rather about reveal\u00ading the pre\u00advi\u00adous dis\u00adin\u00adte\u00adgra\u00adtion \u2013 or \u201cmul\u00adti\u00adplic\u00adi\u00adty\u201d \u2013 which is revealed in psy\u00adchosis. This dream expe\u00adri\u00adence led me down the \u201cright path\u201d, i.e. \u201cAll true life is an encounter,\u201d as pro\u00adposed by Mar\u00adtin Buber. Through these encoun\u00adters we are con\u00adstant\u00adly re-formed, recon\u00adsti\u00adtut\u00aded, new\u00adly devel\u00adoped; through kalei\u00addo\u00adscop\u00adic con\u00adtra\u00addic\u00adtions, we are enabled not only to see hori\u00adzons, but even to grow beyond them.<\/span><\/p>\n

In a very sim\u00adi\u00adlar way, this was the case in artis\u00adtic fields such as the film indus\u00adtry, where my first great expe\u00adri\u00adence was work\u00ading on shoot\u00ading the film \u201cAbra\u00adhams Gold\u201d (1990) with J\u00f6rg Gras\u00ader and star\u00adring Han\u00adna Schygul\u00adla, which began after a very seri\u00adous on-set acci\u00addent with the orig\u00adi\u00adnal actor Sibylle Canon\u00adi\u00adca. At the time, I was shocked that the cre\u00adation of some\u00adthing fic\u00adtion\u00adal (the film) could endan\u00adger someone\u2019s life. Oth\u00ader cru\u00adcial encoun\u00adters were with pro\u00adfes\u00adsors at film schools: Siegfried Zielin\u00ads\u00adki, Peter Lilien\u00adthal, Jea\u00adnine Meer\u00adapfel, Rein\u00adhard Hauff. I can still remem\u00adber when I showed the Amer\u00adi\u00adcan film GIRL INTERRUPTED at the DFFB, in which the mov\u00ading fate of the bor\u00adder\u00adline patients is showed. After my talk, the stu\u00addents asked me, \u201cWhere are the boys with bor\u00adder\u00adline symp\u00adtoms?\u201d And then one of the stu\u00addents answered spon\u00adta\u00adneous\u00adly, \u201cThe boys are in prison.\u201d This is one of the many expe\u00adri\u00adences, in many dif\u00adfer\u00adent film schools, where I had the impres\u00adsion again and again that I got more from the stu\u00addents \u2013 more or less gifts \u2013 and more than I was able to give myself.<\/span><\/p>\n

The lec\u00adtures at the HfG in Karl\u00adsruhe, which I was allowed to give togeth\u00ader with Edgar Reitz, were a par\u00adtic\u00adu\u00adlar ray of light in this con\u00adtext. Our top\u00adic at the time was the dilem\u00adma of work\u00ading out a phi\u00adlos\u00ado\u00adphy of space in the cin\u00ade\u00adma, a project that inspired us so much dur\u00ading our joint lec\u00adtures that we decid\u00aded to pub\u00adlish a dia\u00adlog\u00adi\u00adcal book on the sub\u00adject.<\/span><\/p>\n

The main idea of this text is that \u201cspace in film\u201d does not only rep\u00adre\u00adsent geo\u00admet\u00adric dimen\u00adsions, but rather val\u00adue worlds, rela\u00adtion\u00adships of prox\u00adim\u00adi\u00adty and dis\u00adtance, dom\u00adi\u00adnance and weak\u00adness. Par\u00adtic\u00adu\u00adlar\u00adly excit\u00ading in this con\u00adtext is Edgar Reitz\u2019s con\u00adcept that in cin\u00ade\u00adma there is a space that can\u2019t exist \u2013 and this is where the cam\u00adera stands.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

The com\u00adplex ques\u00adtion posed to me is excit\u00ading because cin\u00ade\u00adma is all about work\u00ading on and in a con\u00adtra\u00addic\u00adto\u00adry medi\u00adum with many chal\u00adlenges. The live\u00adli\u00adness of the \u201ccin\u00ade\u00admat\u00adic expe\u00adri\u00adence\u201d \u2013 strange\u00adly fic\u00adtion\u00adal, tech\u00adni\u00adcal and also very real and sen\u00adsu\u00adal, even \u201cmusi\u00adcal\u201d all at the same time \u2013 has a \u201cway of touch\u00ading peo\u00adple\u201d that leads [\u2026]<\/p>\n","protected":false},"author":23,"featured_media":1267,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"wp_typography_post_enhancements_disabled":false,"footnotes":""},"categories":[82],"tags":[],"class_list":["post-3576","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-journal-en"],"acf":[],"yoast_head":"\nFILMSPARKS - 50 Years DFFB: Hinderk Emrich - DFFB<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.dffb.de\/en\/filmsparks-50-years-dffb-hinderk-emrich\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"FILMSPARKS - 50 Years DFFB: Hinderk Emrich - DFFB\" \/>\n<meta property=\"og:description\" content=\"The com\u00adplex ques\u00adtion posed to me is excit\u00ading because cin\u00ade\u00adma is all about work\u00ading on and in a con\u00adtra\u00addic\u00adto\u00adry medi\u00adum with many chal\u00adlenges. 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