{"id":843,"date":"2018-01-10T19:57:54","date_gmt":"2018-01-10T18:57:54","guid":{"rendered":"https:\/\/www.dffb.de\/?p=843"},"modified":"2019-07-01T13:12:19","modified_gmt":"2019-07-01T11:12:19","slug":"serial-germany-10-nov-12-nov-2017","status":"publish","type":"post","link":"https:\/\/www.dffb.de\/en\/serial-germany-10-nov-12-nov-2017\/","title":{"rendered":"Ser\u00adi\u00adal Ger\u00admany: 10. \u2014 12. Nov. 2017"},"content":{"rendered":"<p>Against the back\u00addrop of the oft-evoked \u201cgold\u00aden age\u201d of US pay TV, the need to rein\u00advig\u00ado\u00adrate Ger\u00adman seri\u00adals has been on the agen\u00adda for years. Sev\u00aden years after Dominik Graf\u2019s mile\u00adstone IM ANGESICHT DES VERBRECHENS \/\u200b IN THE FACE OF CRIME (2010), a new gen\u00ader\u00ada\u00adtion of Ger\u00adman ser\u00adi\u00adal-mak\u00aders is now at work, large\u00adly, albeit with a few excep\u00adtions, tak\u00ading Amer\u00adi\u00adcan role mod\u00adels and stan\u00addards as their point of ref\u00ader\u00adence.<\/p>\n<p>In SERIAL GERMANY, the Deutsche Film- und Fernse\u00adhakademie Berlin (dffb), in con\u00adjunc\u00adtion with its post-grad\u00adu\u00adate pro\u00adgramme Ser\u00adi\u00adal Eyes and the Film\u00adnet\u00adzw\u00aderk Berlin, seeks to enter into dia\u00adlogue with key play\u00aders in more cur\u00adrent pro\u00adduc\u00adtions. The issues to be explored include pro\u00adduc\u00adtion con\u00addi\u00adtions, the role of the \u201cAmer\u00adi\u00adcan mod\u00adel\u201d but also the aes\u00adthet\u00adic and soci\u00adetal sig\u00adnif\u00adi\u00adcance of ser\u00adi\u00adal-for\u00admat sto\u00adry\u00adtelling. Some of the high\u00adlights on our guest list: Uli Hanisch (BABYLON Berlin, 2017), Hans-Chris\u00adt\u00adian Schmid and Julia Jentsch (DAS VERSCHWINDEN \/\u200bTHE VANISHING, 2017), Han\u00adno Hack\u00adfort, Richard Kropf and Bob Kon\u00adrad (4 BLOCKS, 2016), Chris\u00adt\u00adian Schwo\u00adchow, Oliv\u00ader Kien\u00adle, Jana Bur\u00adbach, Jan Gal\u00adli (BAD BANKS, 2017), as well as Jan Bon\u00adny and Alex Wis\u00adsel (\u00dcBER BARBAROSSAPLATZ \/\u200bABOVE BARBAROSSAPLATZ, 2016).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Against the back\u00addrop of the oft-evoked \u201cgold\u00aden age\u201d of US pay TV, the need to rein\u00advig\u00ado\u00adrate Ger\u00adman seri\u00adals has been on the agen\u00adda for years. Sev\u00aden years after Dominik Graf\u2019s mile\u00adstone IM ANGESICHT DES VERBRECHENS \/\u200b\u200b IN THE FACE OF CRIME (2010), a new gen\u00ader\u00ada\u00adtion of Ger\u00adman ser\u00adi\u00adal-mak\u00aders is now at work, large\u00adly, albeit with [\u2026]<\/p>\n","protected":false},"author":23,"featured_media":842,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"wp_typography_post_enhancements_disabled":false,"footnotes":""},"categories":[82],"tags":[],"class_list":["post-843","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-journal-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Serial Germany: 10. - 12. 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