Gra­phic Design Pro­duc­tion Artist – Title & End Cre­dits for Short Film (Unpaid)

We are see­king a pas­sio­na­te and skil­led gra­phic desi­gner to help com­ple­te the ope­ning title and end cre­dit sequen­ces for a short sur­re­al psy­cho­lo­gi­cal dra­ma (approx. 23 minu­tes).

The ope­ning title sequence has alre­a­dy been desi­gned by the direc­tor using a basic design tool to com­mu­ni­ca­te her visi­on. The end cre­dit sequence has also been con­cep­tua­li­zed, with visu­al style, refe­ren­ces, type­face, lay­out, and color palet­te all defi­ned.

We’re loo­king for a desi­gner to exe­cu­te the­se ide­as using pro­fes­sio­nal soft­ware, refi­ning the lay­out, impro­ving visu­al balan­ce, ensu­ring tech­ni­cal accu­ra­cy and for­mat­ting, and app­ly­ing subt­le ani­ma­ti­on effects (e.g., jit­ter), as well as prep­ping final assets for deli­very.

About the Pro­ject:

Crims­on Unvei­led is a 23-minu­te sur­rea­li­stic psy­cho­lo­gi­cal dra­ma set in the 1990s with a Lyn­chi­an tone. It fol­lows Paul, a wido­wed cine­phi­le in his thir­ties, who batt­les guilt after deve­lo­ping fee­lings for a jazz sin­ger at his local club. One night, he stumbles upon a mys­te­rious mid­night cine­ma that plun­ges him into a stran­ge, dream­li­ke jour­ney, for­cing him to con­front his buried emo­ti­ons and desi­res.

Log­li­ne:

“In a dim­ly lit jazz club, a widower cine­phi­le batt­les his buried desi­res. That’s until he stumbles upon a mys­te­rious cine­ma that unveils his sup­pres­sed lon­gings and leads him on a sur­re­al jour­ney of self-dis­co­very through his enig­ma­tic reflec­tion.”

The film explo­res the­mes of exis­ten­tia­lism, the natu­re of desi­re and guilt, cathar­sis, and the trans­for­ma­ti­ve power of cine­ma, dra­wing inspi­ra­ti­on from the works of David Lynch, Stan­ley Kubrick, and Alfred Hitch­cock. Abo­ve all, Crims­on Unvei­led is a love let­ter to cine­ma its­elf, with subt­le hom­ages to clas­sic films fea­tured throug­hout!

The film is hel­med by debut direc­tor Kimia Kaze­mi, along­side a talented/​experienced team inclu­ding Anna Kren­kel (Pro­du­cer), Tim Wes­kamp (Direc­tor of Pho­to­gra­phy), Mario Gri­go­rov (Com­po­ser), and jazz musi­ci­ans recent­ly fea­tured in Wes Anderson’s “The Phoe­ni­ci­an Sche­me.”

What We’re Loo­king For:

- Expe­ri­ence with typo­gra­phy and moti­on design
– Pro­fi­ci­en­cy in Ado­be After Effects (or com­pa­ra­ble tools)
– Strong eye for lay­out, rea­da­bili­ty, and pacing
– Abili­ty to work inde­pendent­ly and meet dead­lines

What You’ll Get:

- Cre­dit as Gra­phic Design Pro­duc­tion Artist in the final film cre­dits
– A distinc­ti­ve, cine­ma­tic port­fo­lio pie­ce
– Crea­ti­ve col­la­bo­ra­ti­on on a bold, visual­ly dri­ven short film

This is an unpaid, cre­dit-only oppor­tu­ni­ty, ide­al for a desi­gner loo­king to con­tri­bu­te to an ambi­tious, art-for­ward pro­ject. Still frames and the pro­ject tre­at­ment are available upon request.

To app­ly, plea­se send a brief intro­duc­tion along with a link to your port­fo­lio or rele­vant work samples to this e‑mail: kimkazzemi@​gmail.​com

Loo­king for­ward to hea­ring from you!

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