Our grad­u­a­tion film SCHWESTERHERHERZ (D: Sarah Miro Fis­ch­er, B: Sarah Miro Fis­ch­er & Agnes Maa­gard Petersen, C: Sel­ma von Pohlheim Gravesen, M: Ele­na Wei­he, P: Jan­na Fodor & Nina Sophie Bay­er-Seel) will cel­e­brate its world pre­miere as part of the Panora­ma pro­gramme of this years Berli­nale!

The fea­ture film SCHWESTERHERHERZ, which is inter­na­tion­al­ly known as THE GOOD SISTER, deals with the close rela­tion­ship Rose has with her old­er broth­er Sam. When Sam is accused of rape, Rose is asked to tes­ti­fy as a wit­ness. This puts both the sib­lings’ rela­tion­ship and Rose’s moral integri­ty to the test. The film focus­es on the com­plex human­i­ty of the char­ac­ters. They all have long­ings, desires and hurts, make mis­takes and push bound­aries. Nev­er­the­less, Sam’s act is no sim­ple mis­take. It is so pow­er­ful and so destruc­tive that the con­se­quences he caus­es go far beyond the char­ac­ters direct­ly affect­ed by the act. SCHWESTERHERZ is a film about sib­lings, inti­ma­cy and the ques­tion of what influ­ence our actions have on the peo­ple around us, direct­ly or indi­rect­ly.

The Berli­nale’s Panora­ma pro­gramme shows films that make peo­ple think about pol­i­tics, val­ues and soci­ety. As part of the selec­tion, SCHWESTERHERHERZ could win the Panora­ma Audi­ence Award as well as sev­er­al cross-sec­tion prizes. These include, for exam­ple, the Hein­er Carow Prize, the FIPRESCI Jury Prize and the CICAE Art Cin­e­ma Award.

We are keep­ing our fin­gers crossed for the entire team

It is with great sad­ness that we bid farewell to alum­nus Wolf­gang Beck­er, who passed away on 13 Decem­ber at the age of 70. He was best known for his film GOOD BYE LENIN!, which was not only an inter­na­tion­al suc­cess, but also shaped the image of an entire gen­er­a­tion.

Wolf­gang Beck­er was born in Hemer in 1954 and devel­oped a pas­sion for film­mak­ing at an ear­ly age. After begin­ning his stud­ies at the Free Uni­ver­si­ty of Berlin, he trans­ferred to the DFFB in 1981. He won the Stu­dent Acad­e­my Award and the Gold­en Leop­ard in Locarno with his grad­u­a­tion film BUTTERFLIES.

Beck­er’s influ­ence on the Ger­man film land­scape is unde­ni­able. He has set stan­dards not only with his tal­ent, but also with his abil­i­ty to com­bine com­plex emo­tions and his­tor­i­cal con­texts. His work was char­ac­terised by sub­tle humour and a pro­found exam­i­na­tion of social issues.

He was a found­ing mem­ber of the Ger­man Film Acad­e­my and the Berlin pro­duc­tion com­pa­ny X Filme.

His death leaves a huge gap in the world of film. We will remem­ber Wolf­gang Beck­er as a cre­ative mind and sen­si­tive sto­ry­teller. Our sym­pa­thies go out to his fam­i­ly, his friends and the team at X Filme.

Foto Copy­right: Flo­ri­an Schnei­der

The doc­u­men­tary film SONNENSTADT by direc­tor Kristi­na Shtu­bert (C: Han­na Mayser) cel­e­brates its world pre­miere in the Ger­man Doc­u­men­tary Com­pe­ti­tion of the renowned DOK Leipzig.

The DFFB grad­u­a­tion film, sup­port­ed by Leucht­stoff sup­port in coop­er­a­tion with rbb and Medi­en­board Berlin-Bran­den­burg, fol­lows a group of peo­ple who found a utopi­an soci­ety in the seclu­sion of the Siber­ian taiga under the lead­er­ship of the self-pro­claimed mes­si­ah Vis­sar­i­on. It sheds light on the search for a new way of life in a world that is per­ceived as increas­ing­ly con­fus­ing and threat­en­ing. With no clear judge­ment, SONNENSTADT leaves room for the audi­ence to form their own opin­ion of the strengths and weak­ness­es of this utopia.

The film has been nom­i­nat­ed for sev­er­al awards, includ­ing the ver.di Prize for Sol­i­dar­i­ty, Human­i­ty and Fair­ness and the MDR Film Prize.

We wish you good screen­ings and keep our fin­gers crossed for the award cer­e­mo­ny!

We recent­ly moved to our new loca­tion in Berlin Adler­shof. Our tem­po­rary home is now at Stu­dio 16 in 12489 Berlin, while indi­vid­ual depart­ments, includ­ing post-pro­duc­tion and Ser­i­al Eyes, will remain at the old loca­tion at Pots­damer Platz until the end of the year.

The move to Adler­shof marks an impor­tant step for the DFFB. Despite lim­it­ed office and sem­i­nar space, the change of loca­tion offers us numer­ous oppor­tu­ni­ties. In par­tic­u­lar, the spa­cious tele­vi­sion stu­dio, which we use as an audi­to­ri­um, will become the new cen­tre for aca­d­e­m­ic events and exchanges between stu­dents, lec­tur­ers and staff mem­bers.

One high­light is the revi­tal­i­sa­tion of our Acad­e­my Mon­day, when we offer open, cross-year sem­i­nars and dis­cus­sion groups. These meet­ings are intend­ed to strength­en the sense of com­mu­ni­ty and pro­vide space for cre­ative and polit­i­cal dia­logue.

The tech­ni­cal equip­ment has also been large­ly relo­cat­ed to the new site so that we can con­tin­ue to offer a well-found­ed and prac­tice-ori­en­tat­ed edu­ca­tion. There are also col­lab­o­ra­tions with local part­ners, includ­ing a cin­e­ma for film view­ings.

Until we move to our future home “Berlin Decks” in Moabit, which is planned for the end of 2025, we are look­ing for­ward to using the com­ing months to be pro­duc­tive in Adler­shof and mak­ing new con­tacts in the media land­scape and with the imme­di­ate neigh­bour­hood!

Since the begin­ning of this semes­ter, the DFFB has been a mem­ber of studieren­den­WERK BERLIN, which offers stu­dents from all part­ner uni­ver­si­ties a wide range of ser­vices relat­ed to study­ing and liv­ing in Berlin.

Our stu­dents can ben­e­fit from the use of can­teens and dor­mi­to­ries, numer­ous advi­so­ry ser­vices (includ­ing psy­cho­log­i­cal coun­sel­ing, stu­dent financ­ing, job oppor­tu­ni­ties and inter­na­tion­al affairs) as well as day­care places, sports activ­i­ties, cul­tur­al events and a diverse work­shop pro­gram.

We are very pleased about the coop­er­a­tion and want to encour­age all our stu­dents to take advan­tage of this great offer!

You can find an overview of all ser­vices on the web­site: https://​www​.stw​.berlin/​en/

film pro­gram with exhi­bi­tion and work­shops

Between Novem­ber 7 and 12, 2023, fem­i­nist else­wheres will cel­e­brate over 50 years of fem­i­nist film work in six days with a com­pre­hen­sive film pro­gram, work­shops and an exhi­bi­tion.

fem­i­nist else­wheres draws on two events that took place at the Arse­nal cin­e­ma in Berlin: the First Inter­na­tion­al Women’s Film Sem­i­nar of 1973, which is con­sid­ered the start­ing point of the fem­i­nist film move­ment in West Ger­many and was orga­nized by Clau­dia von Ale­mann and Helke Sander with the sup­port of Eri­ka Gre­gor, among oth­ers. In 1997, a revis­i­ta­tion of the Women’s Film Sem­i­nar titled … the point is to change it. Films, Fes­ti­vals, Fem­i­nism took place, to which, under the cura­tion of then cin­e­ma direc­tor Ste­fanie Schulte Strathaus, as well as Madeleine Bern­storff, Bir­git Kohler, Sil­via Hal­lensleben, and Regi­na Holzkamp, all part of Blick­pi­lotin e.V., five fem­i­nist film fes­ti­vals from all over Europe were invit­ed. 

fem­i­nist else­wheres is put togeth­er by Arisa Purkpong, Sophie Holzberg­er, Char­lotte Eit­el­bach, Fiona Berg and Ele­na Baumeis­ter. Cen­tral to the cura­to­r­i­al process was the dia­logue between his­tor­i­cal and con­tem­po­rary cin­e­mat­ic fem­i­nisms. There­fore, fem­i­nist else­wheres com­bines restora­tions and pre­mieres and brings into con­ver­sa­tion pro­tag­o­nists of film move­ments since the 1960s with con­tem­po­rary activists.

Here, you can find all infor­ma­tion about the pro­gram: Arse­nal Berlin

We would like to inform you about an impor­tant devel­op­ment at the DDFB: We will not be admit­ting any new stu­dents dur­ing the win­ter semes­ter of 2024/​25. This means that there will not be an appli­ca­tion process start­ing this fall. We under­stand that this news comes as a sur­prise to many, but we made this deci­sion for the good of all cur­rent and future stu­dents.

 

               Plan­ning ahead for a bet­ter Study Expe­ri­ence

The DFFB has big plans: In 2025, we are sched­uled to move to our new premis­es in the Berlin Decks in Moabit. These premis­es will offer us gen­er­ous office and sem­i­nar spaces, two cin­e­mas, two stu­dios, a large tech­ni­cal ware­house, and mod­ern post-pro­duc­tion work­sta­tions. Study­ing and mak­ing films at the DFFB will be a whole new expe­ri­ence!

Our deci­sion to delay appli­ca­tions was made with a lot of thought. The first year of study at the DFFB is very inten­sive. Each stu­dent cre­ates a short film in spring/​summer, and a total of 32 short films are pro­duced. The suc­cess­ful com­ple­tion of these first-year films is foun­da­tion­al – what stu­dents learn dur­ing this time forms the basis for the rest of their DFFB stud­ies. For this first year to be suc­cess­ful, we need opti­mal con­di­tions for film­ing and post-pro­duc­tion. Because of this large move, we can­not guar­an­tee stu­dents an opti­mal envi­ron­ment for the smooth pre-pro­duc­tion, pro­duc­tion, and post-pro­duc­tion of their films.

It is very impor­tant to us to not com­prise on our high edu­ca­tion­al stan­dards. These stan­dards are exem­pli­fied by the DFFB stu­dents’ par­tic­i­pa­tion is many inter­na­tion­al film fes­ti­vals in 2023, such as the Berli­nale (GERANIEN by Tan­ja Egen), Cannes (IL COMPLEANNO DI ENRICO by Francesco Sos­sai), Locarno (AS IF MOTHER CRIED THAT NIGHT by Hoda Taheri and SLIMANE by Car­los Pereira), Venice (SENTIMENTAL STORIES by Xan­dra Popes­cu) and Toron­to (ARTHUR & DIANA by Sara Sum­ma).

 

               Next Appli­ca­tion Oppor­tu­ni­ty

The appli­ca­tion process at the DFFB takes sev­er­al months. This process usu­al­ly begins in the fall; suc­cess­ful appli­cants then begin their stud­ies the fol­low­ing win­ter semes­ter. To ensure that the next gen­er­a­tion of young and tal­ent­ed film­mak­ers has a suc­cess­ful first year at the DFFB, we are open­ing our next appli­ca­tion peri­od in the fall of 2024. This means that incom­ing stu­dents for the win­ter semes­ter of 2025/​26 will be able to begin their DFFB careers at our won­der­ful new cam­pus!

We would like to sin­cere­ly thank you for your under­stand­ing. Togeth­er, we are shap­ing a promis­ing future for the DFFB!

 

               Open House Day

The upcom­ing Open House will take place on Sat­ur­day, Novem­ber 18, 2023, and will be an oppor­tu­ni­ty to learn more about the DFFB. We are sure that a vis­it to the DFFB will be worth­while, even if the appli­ca­tion process only takes place the fol­low­ing year.

• Film Pro­gram: Come by and watch a pro­gram of DFFB short and fea­ture films in our cin­e­ma!
• Stu­dent Advis­ing: Get to know our lec­tur­ers at the stu­dent advis­ing ses­sions!
• Q&A: Get insights into the cre­ative work of our alum­ni and their expe­ri­ences at the DFFB dur­ing mod­er­at­ed talks!
• Net­work­ing: Get to know our stu­dents, fac­ul­ty, and staff. Learn first-hand what sets our acad­e­my apart and what oppor­tu­ni­ties it can offer you!
• Pre­view: Get a pre­view of our new space and your future school!

 

If you have any ques­tions, please con­tact our sup­port at bewerbung.​support@​dffb.​de.

»We ask you to echo the ral­ly­ing cries of Ira­ni­ans for free­dom. Become the voice of those peo­ple who are pay­ing with their lives for free­dom« Iran­ian film­mak­ers recent­ly request­ed in an open let­ter.

The death of Mah­sa Ami­ni while in police cus­tody and the increas­ing repres­sions because of the coun­try­wide protests have shocked us and are a cause of great con­cern to us. As Ger­man film schools we have collectively com­mit­ted our­selves to diver­si­ty and against dis­crim­i­na­tion. We have com­mit­ted our­selves to ques­tion­ing exist­ing struc­tures and stereo­types con­struc­tive­ly and to address the issues of abuse of pow­er and gen­der equal­i­ty. There­fore, we also want to express our sol­i­dar­i­ty with the pro­test­ers with a unit­ed voice:

We are deeply con­cerned about the sit­u­a­tion in Iran and espe­cial­ly at the Iran­ian uni­ver­si­ties. We condemn the vio­lent repres­sion of free­dom of expres­sion and the right to per­son­al devel­op­ment. We see you, your coura­geous resis­tance, and the sac­ri­fices you make. You are not alone.
We stand behind you and your com­mit­ment to “women, life, lib­er­ty”!