PRODUCTION INTERN

Com­pa­ny: Copro­duc­tion Office
Sec­tor: Film & Cul­tu­ral Indus­tries
Com­pen­sa­ti­on: €1,200/month gross (befo­re taxes)
Dura­ti­on: 6 months, full-time
Start Date: Based on avai­la­bi­li­ty

We are loo­king for a glo­bal­ly min­ded, results-ori­en­ted col­le­ague with strong orga­ni­sa­tio­nal skills and a keen inte­rest in cul­tu­re to join our team of thir­ty, working in a dyna­mic and inter­na­tio­nal envi­ron­ment. You will start as an intern, assis­ting our pro­duc­tion team, with the poten­ti­al to tran­si­ti­on into a full-time role.

COMPANY PROFILE


Based in Paris and Ber­lin, Copro­duc­tion Office is a lea­ding inter­na­tio­nal dis­tri­bu­tor and pro­du­cer of bold, auteur-dri­ven films, known for their dar­ing con­tent and distinc­ti­ve cine­ma­tic lan­guage.

Foun­ded by Phil­ip­pe Bober, Copro­duc­tion Office has been instru­men­tal in laun­ching and sup­port­ing the care­ers of pio­nee­ring direc­tors.* Bober has pro­du­ced over for­ty films, most of which have been sel­ec­ted for the main com­pe­ti­ti­ons at Can­nes, Venice, and Ber­lin. The­se films have gar­ne­red num­e­rous pres­ti­gious awards, inclu­ding: the Gol­den Lion in Venice for Roy Andersson’s A Pige­on Sat on a Branch Reflec­ting on Exis­tence (2014), and two Pal­me d’Or at Can­nes for Ruben Östlund’s The Squa­re (2017) and Tri­ang­le of Sad­ness (2022).

Our inter­na­tio­nal sales divi­si­on repres­ents films pro­du­ced by Phil­ip­pe Bober, sel­ec­ted acqui­si­ti­ons, and res­to­red clas­sics by mas­ter film­ma­kers such as Rober­to Ros­sel­li­ni, Már­ta Més­zá­ros, and Kon­rad Wolf. Over the past deca­de, Copro­duc­tion Office has also expan­ded orga­ni­cal­ly, diver­si­fy­ing its acti­vi­ties to include:

The pro­duc­tion of visu­al art

An art gal­lery

A wine bar in Ber­lin and the import of orga­nic wines

We offer an inter­na­tio­nal, col­la­bo­ra­ti­ve, and fast-paced work­place. Team mem­bers bene­fit from strong col­le­gi­al sup­port, meaningful respon­si­bi­li­ties, cross-depart­ment­al invol­vement, and oppor­tu­ni­ties for care­er advance­ment — all while con­tri­bu­ting to the work of some of today’s most exci­ting and visio­na­ry direc­tors and artists.

*Roy Anders­son, Jes­si­ca Haus­ner, Kor­nél Mun­druc­zó, Ruben Öst­lund, Cris­ti Puiu, Car­los Rey­ga­das, Ulrich Seidl, Lars von Trier, Lou Ye

JOB OUTLINE:

You will:

Work in an inter­na­tio­nal and mul­ti­l­in­gu­al envi­ron­ment with a fri­end­ly and moti­va­tio­nal atmo­sphe­re, along­side com­mit­ted and team-ori­en­ted col­le­agues.

Gain insight on the inde­pen­dent film indus­try while working on uni­que films.

Per­form some of the fol­lo­wing tasks as a mem­ber of our Pro­duc­tion team:
Rese­ar­ching funds, inves­tors, and cre­dit lines

Con­duc­ting spe­ci­fic rese­arch rela­ted to indi­vi­du­al film pro­jects

Assis­ting with film bud­gets

Assis­ting with cost reports for pro­du­cers and finan­cing part­ners

Assis­ting with the legal aspects of inter­na­tio­nal co-pro­duc­tions

Pre­pa­ring appli­ca­ti­ons for the fun­ding of films (Ger­man and Euro­pean film and cine­ma funds)

Assis­ting the in-house pro­du­cers in pre­pa­ring and fol­lo­wing up on shoo­tings and post-pro­duc­tion

Copy­wri­ting texts in Ger­man (for ins­tance for press books or for fun­ding appli­ca­ti­ons), and occa­sio­nal­ly trans­la­ting into Ger­man

Par­ti­ci­pa­ting in, and occa­sio­nal­ly hel­ping with, the orga­ni­sa­ti­on of test scree­nings of films in post-pro­duc­tion

Updating moni­to­ring tools

Inter­ac­ting with all the depart­ments of the Copro­duc­tion Office and faci­li­ta­ting admi­nis­tra­ti­ve pro­ces­ses, and in par­ti­cu­lar com­mu­ni­ca­ting with the finan­ce team at the Paris office.

Par­ti­ci­pa­ting in the book­kee­ping for pro­jects and being a point of cont­act for the accoun­ting team

Par­ti­ci­pa­ting in the bud­ge­ting and report­ing tasks rela­ted to film pro­duc­tion

Sche­du­ling (and occa­sio­nal­ly atten­ding) mee­tings with inter­na­tio­nal part­ners

Pre­pa­ring and fol­lo­wing up on mee­tings: logi­stics, recor­dings, tran­scripts, to do lists, coor­di­na­ting and imple­men­ting fol­low ups.

You are:

Com­for­ta­ble with wri­ting texts and have an excel­lent com­mand of Eng­lish and Ger­man (writ­ten and spo­ken). A know­ledge of French or Ita­li­an is a plus.

Detail-ori­en­ted and dead­line-focu­sed

Crea­ti­ve and able to think out­side the box

Able to demons­tra­te pre­vious expe­ri­ence in the film indus­try (a plus) and an inte­rest in finan­cial topics

Pas­sio­na­te for cine­ma

Fle­xi­ble and proac­ti­ve

Pro­fi­ci­ent with Excel (bud­gets, cash-flows, etc.)

Elo­quent and have good social skills, are capa­ble of inter­ac­ting with pro­fes­sio­nals in dif­fe­rent sec­tors: the film indus­try, the public sec­tor, artists etc.

Pro­fi­ci­ent in wri­ting memo­ran­dums

Com­pu­ter sav­vy and pro­fi­ci­ent in cloud-based appli­ca­ti­ons and vir­tu­al workspaces

A To Do Lists lover

We want to hear from you! Plea­se send your resu­me and a cover let­ter explai­ning why you are the ide­al can­di­da­te for this posi­ti­on to: staff@​coproductionoffice.​eu. If you have any ques­ti­ons regar­ding your appli­ca­ti­on, feel free to cont­act us at the same email address.

(NB: Our recruit­ment team is working remo­te­ly and can­not be rea­ched by pho­ne at our Paris or Ber­lin offices).

E‑Mail