Schlagwort: Suche

Sound Design & Mixing für Kurz­film gesucht

Für unse­ren stu­den­ti­schen No-Bud­get-Kurz­film „Exzess­ent­gif­tung“ (29 Min., Roh­schnitt fer­tig) suchen wir Unter­stüt­zung für das Sound Design und Sound Mas­te­ring und Mixing.

Zum Film:

„Exzess­ent­gif­tung“ ist ein Kam­mer­spiel über einen Typen, der sich ein letz­tes Mal dem Exzess hin­ge­ben will, um danach mit dem Kif­fen auf­zu­hö­ren. Doch sei­ne Dea­le­rin taucht nicht auf – und er bleibt gefan­gen in sei­nem Gedan­ken­ka­rus­sell. Der Film setzt sich aus einer absur­den Per­spek­ti­ve mit Sucht und Ein­sam­keit aus­ein­an­der.

Stand der Din­ge:

Der Dreh fand Anfang Mai statt, die ers­te Roh­schnitt­fas­sung des Films ist jetzt fer­tig. Wir arbei­ten gera­de an der nächs­ten Fas­sung und dem Pic­tu­re Lock. Eine Arbeits­ver­si­on des Films sol Ende August/​Anfang Sep­tem­ber auf den ers­ten Fes­ti­vals ein­ge­reicht wer­den.

Wir kön­nen lei­der kei­ne Bezah­lung anbie­ten. Wir haben kei­ner­lei Fun­ding und haben was an Kos­ten anfiel aus eige­ner Tasche bezahlt. Als Pas­si­on Pro­ject haben alle an dem Film betei­lig­ten Per­so­nen ohne Gage gear­bei­tet.

Der Plan ist es den Film bei meh­re­ren Film-Fes­ti­vals ein­zu­rei­chen.

Kon­takt:

Schreib mir ger­ne unter max.​arndt@​posteo.​de. Ich gebe ger­ne wei­te­re Infos oder den Link zum aktu­el­len Stand der Roh­schnitt­fas­sung.

E‑Mail

Pro­jekt­an­fra­ge: Unter­­neh­­mens- & Image­fo­tos /​​ ‑film im Rah­men eines Stu­die­ren­den­pro­jekts

Hal­lo,

wir von Kaf​fee​rad​.ber​lin – dem mobi­len Cof­fee-Bike für Events, Mes­sen und pri­va­te Fei­ern in Ber­lin – möch­ten Ihnen eine span­nen­de Pro­jekt­mög­lich­keit für Ihre Stu­die­ren­den anbie­ten.

Wor­um geht’s:
Wir suchen nach Stu­die­ren­den, die im Rah­men eines Pra­xis- oder Semes­ter­pro­jekts unser Kaf­fee­rad foto­gra­fisch und/​oder fil­misch in Sze­ne set­zen. Das kann Unter­neh­mens­fo­to­gra­fie, Pro­dukt­fo­to­gra­fie, Event­fo­to­gra­fie oder auch die Pro­duk­ti­on eines kur­zen Image­films für Social Media umfas­sen.

War­um es inter­es­sant ist:
Authen­ti­sches, auf­fäl­li­ges und urba­nes Motiv
Mög­lich­keit für krea­ti­ve, freie Umset­zung
Ver­öf­fent­li­chung der Ergeb­nis­se auf unse­rer Web­site & Social-Media-Kanä­len mit Namens­nen­nung
Ech­te Refe­renz und Pra­xis­be­zug für das Port­fo­lio

Unser Bei­trag:
Bereit­stel­lung des Kaf­fee­rads als Foto­mo­tiv (Innen­stadt oder Event­lo­ca­ti­on in Ber­lin)
Fle­xi­ble Ter­min­ab­spra­chen und Unter­stüt­zung bei der Orga­ni­sa­ti­on
Gemein­sa­me Nut­zung der ent­stan­de­nen Fotos/​Videos (Win-win)

Falls Sie sol­che Pro­jek­te koor­di­nie­ren oder Stu­die­ren­de ken­nen, die Inter­es­se dar­an haben könn­ten, freu­en wir uns über Ihre Rück­mel­dung.

Mit freund­li­chen Grü­ßen,
David Kunz

Kaf​fee​rad​.ber​lin
Schli­e­mann­stra­ße 19
10437 Ber­lin

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Crew Call – Short Hor­ror Film “Home”

🎬 Crew Call – Short Film “Home” (Ber­lin, mid/​end Sep­tem­ber)

Deutsch
Für die Pro­duk­ti­on mei­nes Kurz­films „Home“ suche ich fol­gen­de Posi­tio­nen:

Make-up Artist – dezen­te Hor­ror­ele­men­te, inkl. einer Sze­ne mit mini­ma­lem Blut
VFX-Artist – weni­ge, aber prä­gnan­te Shots in der Post­pro­duk­ti­on
Pro­duc­tion Sound Mixer – Auf­nah­me von Set-Ton und Atmo

Über das Pro­jekt
Ein atmo­sphä­ri­scher Hor­ror­film, der voll­stän­dig in einem Apart­ment spielt.
Die Span­nung ent­steht durch eine beklem­men­de Atmo­sphä­re, Licht und Sound.

In der Stil­le sei­ner Trau­er ver­wan­delt sich die Woh­nung eines Man­nes in ein unheim­li­ches Echo sei­ner Ver­gan­gen­heit – etwas Unaus­sprech­li­ches kehrt in der Gegen­wart zurück, dem er nicht ent­kom­men kann.

Dreh­zeit­raum
Geplant für Mitte/​Ende Sep­tem­ber (2 Dreh­ta­ge) in Ber­lin.
No-Bud­get, Lei­den­schafts­pro­jekt.

Inter­es­se?
Wenn du in Ber­lin bist und Lust hast, bei die­sem Pro­jekt mit­zu­wir­ken, sen­de bit­te eine kur­ze Nach­richt mit ein paar Infos zu dir und dei­ner Erfah­rung an info@​jeremyvanderpas.​nl. Ich freue mich, von dir zu hören!

—————

Eng­lish
For the pro­duc­tion of my short film “Home”, I am loo­king for:

Make-up Artist – subt­le hor­ror effects, inclu­ding one sce­ne with mini­mal blood
VFX Artist – a few mini­mal but impactful shots in post-pro­duc­tion
Pro­duc­tion Sound Mixer – to cap­tu­re on-set sound and ambi­ence

About the pro­ject
An atmo­sphe­ric hor­ror film set enti­re­ly in one apart­ment.
The ten­si­on is built through an oppres­si­ve atmo­sphe­re, light­ing, and sound.

In the still­ness of his grief, a man’s home beco­mes an uncan­ny echo of his past – some­thing unspeaka­ble returns to the pre­sent, from which he can­not escape.

Shoo­ting sche­du­le
Plan­ned for mid/​end of Sep­tem­ber (2 shoo­ting days) in Ber­lin.
No-bud­get, pas­si­on pro­ject.

Inte­res­ted?
If you are based in Ber­lin and would like to be part of this pro­ject, plea­se send a short mes­sa­ge about yours­elf and your expe­ri­ence to info@​jeremyvanderpas.​nl. I look for­ward to hea­ring from you!

E‑Mail

Licht für Crowd­fun­ding­kam­pa­gne – Thea­ter­stück sexu­el­ler Miss­brauch im Sport

WANTED:
zwei Licht­per­so­nen mit eige­nem Equip­ment.

Wir ent­wi­ckeln bald ein Thea­ter­stück zu sexu­el­lem Miss­brauch im Sport. Hier­zu star­ten wir ab Mit­te Sep­tem­ber eine Crowd­fun­ding­kam­pa­gne – selbst bei bes­ter Absicht und 100% ehren­amt­li­chem Ein­satz brau­chen wir Mate­ri­al und Räu­me, um die­ses wich­ti­ge The­ma auf die Büh­ne zu brin­gen.

Dafür suchen wir dich! Meld dich sehr gern bei Inter­es­se unter rebeccahirsch.​film@​gmail.​com oder 01634097337

Wir dre­hen vor­aus­sicht­lich haupt­säch­lich Inter­view­ma­te­ri­al und eini­ge weni­ge Sze­nen in Sport­um­klei­de/-dusche und auf einem Sport­platz.
1 Dreh­tag ent­we­der am 2. oder 3.9.25

Und wenn du kein Licht­mensch bist, aber sonst die­ses Pro­jekt sup­port­en willst – meld dich auch sehr gern. Wir wol­len die­ses The­ma wirk­lich groß machen und die gesell­schaft­li­che Dis­kus­si­on ansto­ßen. Sup­port auf so vie­len Ebe­nen very wel­co­me 🙂

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Loo­king for a cameraman/​​women for a music video

I am loo­king for a came­ra­man or came­ra­wo­man for a music video that will be shot in August. Its an out­door shoot that would be in Ber­lin. The script is alre­a­dy writ­ten and the loca­ti­on is alre­a­dy set. If you would like to con­tri­bu­te your crea­ti­vi­ty and have expe­ri­ence in this field, I would be hap­py to hear from you.

No editing or color gra­ding.

The­re is just a small bud­get so the fee would be €200. One shoo­ting day is plan­ned. The cos­ts for equip­ment and light­ing are not included in the fee:)

If you’­re inte­res­ted to work on it I would very hap­py to hear from you.

Best regards,

Valen­ti­na

E‑Mail

Kameramann/​​frau für Musik­vi­deo

Suche für ein Musik­vi­deo was im August statt­fin­den soll einen Kame­ra­mann oder Kame­ra­frau. Das Shoo­ting soll Out­door in Ber­lin statt­fin­den. Skript und Loca­ti­on ste­hen. Wenn du Lust hast dich krea­tiv ein­zu­brin­gen und Erfah­run­gen an der Kame­ra hast, wür­de ich mich freu­en von dir zu hören.
Kein Editing, kein Colour­gra­ding.

Da nur ein klei­nes Bud­get zur Ver­fü­gung steht, liegt die Gage bei 200 Euro. Es ist ein Dreh­tag ein­ge­plant und die Kos­ten für die Tech­nik und Licht sind selbst­ver­ständ­lich exklu­si­ve.

Wenn ich dein Inter­es­se geweckt habe, wür­de mich freu­en von dir von dir zu hören:)

Grü­ße

Valen­ti­na

valentina.​liliana.​pisarra@​gmail.​com

E‑Mail

EDITING /​​ POST-PRODUCTION INTERN

Com­pa­ny: Copro­duc­tion Office
Sec­tor: Film & Cul­tu­ral Indus­tries
Com­pen­sa­ti­on: €1,200/month gross (befo­re taxes)
Dura­ti­on: 6 months, full-time
Start Date: Based on avai­la­bi­li­ty

We are loo­king for a glo­bal­ly min­ded, results-ori­en­ted col­le­ague with strong orga­ni­sa­tio­nal skills and a keen inte­rest in cul­tu­re to join our team of thir­ty, working in a dyna­mic and inter­na­tio­nal envi­ron­ment. You will start as an intern, assis­ting our post-pro­duc­tion team, with the poten­ti­al to tran­si­ti­on into a full-time role.

COMPANY PROFILE


Based in Paris and Ber­lin, Copro­duc­tion Office is a lea­ding inter­na­tio­nal dis­tri­bu­tor and pro­du­cer of bold, auteur-dri­ven films, known for their dar­ing con­tent and distinc­ti­ve cine­ma­tic lan­guage.

Foun­ded by Phil­ip­pe Bober, Copro­duc­tion Office has been instru­men­tal in laun­ching and sup­port­ing the care­ers of pio­nee­ring direc­tors.* Bober has pro­du­ced over for­ty films, most of which have been sel­ec­ted for the main com­pe­ti­ti­ons at Can­nes, Venice, and Ber­lin. The­se films have gar­ne­red num­e­rous pres­ti­gious awards, inclu­ding: the Gol­den Lion in Venice for Roy Andersson’s A Pige­on Sat on a Branch Reflec­ting on Exis­tence (2014), and two Pal­me d’Or at Can­nes for Ruben Östlund’s The Squa­re (2017) and Tri­ang­le of Sad­ness (2022).

Our inter­na­tio­nal sales divi­si­on repres­ents films pro­du­ced by Phil­ip­pe Bober, sel­ec­ted acqui­si­ti­ons, and res­to­red clas­sics by mas­ter film­ma­kers such as Rober­to Ros­sel­li­ni, Már­ta Més­zá­ros, and Kon­rad Wolf. Over the past deca­de, Copro­duc­tion Office has also expan­ded orga­ni­cal­ly, diver­si­fy­ing its acti­vi­ties to include:

The pro­duc­tion of visu­al art

An art gal­lery

A wine bar in Ber­lin and the import of orga­nic wines

We offer an inter­na­tio­nal, col­la­bo­ra­ti­ve, and fast-paced work­place. Team mem­bers bene­fit from strong col­le­gi­al sup­port, meaningful respon­si­bi­li­ties, cross-depart­ment­al invol­vement, and oppor­tu­ni­ties for care­er advance­ment — all while con­tri­bu­ting to the work of some of today’s most exci­ting and visio­na­ry direc­tors and artists.

*Roy Anders­son, Jes­si­ca Haus­ner, Kor­nél Mun­druc­zó, Ruben Öst­lund, Cris­ti Puiu, Car­los Rey­ga­das, Ulrich Seidl, Lars von Trier, Lou Ye

JOB OUTLINE:

You will:

Work in an inter­na­tio­nal and mul­ti­l­in­gu­al envi­ron­ment with a fri­end­ly and moti­va­tio­nal atmo­sphe­re, along­side com­mit­ted and team-ori­en­ted col­le­agues.

Gain insight into the inde­pen­dent film indus­try while working on uni­que and artis­ti­cal­ly ambi­tious films.

Per­form the fol­lo­wing tasks as an acti­ve mem­ber of our post-pro­duc­tion team:
Con­tri­bu­te to the post-pro­duc­tion of new titles & film res­to­ra­ti­ons.

Plan and coor­di­na­te test scree­nings, and sup­port the editing team with tran­scripts of editing dis­cus­sions.

Edit and cata­lo­gue VOD film scree­n­ers, as well as work along­side the mar­ke­ting team to crea­te trai­lers and excerp­ts.

Crea­te and review sub­tit­les.

Assist with the deli­veries of film ele­ments to dis­tri­bu­tors, ser­vicing com­pa­nies and fes­ti­vals.

Help mana­ge the inven­to­ry of the company’s cata­lo­gue in clo­se col­la­bo­ra­ti­on with the Sales team.

Com­mu­ni­ca­te with pro­duc­tion com­pa­nies, labs, ven­dors, and exter­nal col­la­bo­ra­tors.

Occa­sio­nal­ly sup­port the post-pro­duc­tion team with other tasks.

You are:

A nati­ve or ful­ly flu­ent Eng­lish-spea­k­er with excel­lent com­mand of French and/​or Ger­man. A third lan­guage is a plus (Ita­li­an or Rus­si­an in par­ti­cu­lar)

A cine­phi­le with an inte­rest in film ana­ly­sis and an abili­ty to for­ma­li­ze ide­as in writ­ten form

A team play­er with strong com­mu­ni­ca­ti­on, tech­ni­cal, and orga­ni­sa­tio­nal skills

Detail-ori­en­ted, fle­xi­ble and proac­ti­ve

Able to demons­tra­te expe­ri­ence in the film indus­try (pre­vious prac­ti­ce in film post-pro­duc­tion and sales is a plus)

Pro­fi­ci­ent with Pre­mie­re Pro; Expe­ri­ence with AVID, After Effects, DaVin­ci Resol­ve is a plus

We want to hear from you! Plea­se send your resu­me and a cover let­ter explai­ning why you are the ide­al can­di­da­te for this posi­ti­on to: staff@​coproductionoffice.​eu. If you have any ques­ti­ons regar­ding your appli­ca­ti­on, feel free to cont­act us at the same email address.

(NB: Our recruit­ment team is working remo­te­ly and can­not be rea­ched by pho­ne at our Paris or Ber­lin offices).

E‑Mail

PRODUCTION INTERN

Com­pa­ny: Copro­duc­tion Office
Sec­tor: Film & Cul­tu­ral Indus­tries
Com­pen­sa­ti­on: €1,200/month gross (befo­re taxes)
Dura­ti­on: 6 months, full-time
Start Date: Based on avai­la­bi­li­ty

We are loo­king for a glo­bal­ly min­ded, results-ori­en­ted col­le­ague with strong orga­ni­sa­tio­nal skills and a keen inte­rest in cul­tu­re to join our team of thir­ty, working in a dyna­mic and inter­na­tio­nal envi­ron­ment. You will start as an intern, assis­ting our pro­duc­tion team, with the poten­ti­al to tran­si­ti­on into a full-time role.

COMPANY PROFILE


Based in Paris and Ber­lin, Copro­duc­tion Office is a lea­ding inter­na­tio­nal dis­tri­bu­tor and pro­du­cer of bold, auteur-dri­ven films, known for their dar­ing con­tent and distinc­ti­ve cine­ma­tic lan­guage.

Foun­ded by Phil­ip­pe Bober, Copro­duc­tion Office has been instru­men­tal in laun­ching and sup­port­ing the care­ers of pio­nee­ring direc­tors.* Bober has pro­du­ced over for­ty films, most of which have been sel­ec­ted for the main com­pe­ti­ti­ons at Can­nes, Venice, and Ber­lin. The­se films have gar­ne­red num­e­rous pres­ti­gious awards, inclu­ding: the Gol­den Lion in Venice for Roy Andersson’s A Pige­on Sat on a Branch Reflec­ting on Exis­tence (2014), and two Pal­me d’Or at Can­nes for Ruben Östlund’s The Squa­re (2017) and Tri­ang­le of Sad­ness (2022).

Our inter­na­tio­nal sales divi­si­on repres­ents films pro­du­ced by Phil­ip­pe Bober, sel­ec­ted acqui­si­ti­ons, and res­to­red clas­sics by mas­ter film­ma­kers such as Rober­to Ros­sel­li­ni, Már­ta Més­zá­ros, and Kon­rad Wolf. Over the past deca­de, Copro­duc­tion Office has also expan­ded orga­ni­cal­ly, diver­si­fy­ing its acti­vi­ties to include:

The pro­duc­tion of visu­al art

An art gal­lery

A wine bar in Ber­lin and the import of orga­nic wines

We offer an inter­na­tio­nal, col­la­bo­ra­ti­ve, and fast-paced work­place. Team mem­bers bene­fit from strong col­le­gi­al sup­port, meaningful respon­si­bi­li­ties, cross-depart­ment­al invol­vement, and oppor­tu­ni­ties for care­er advance­ment — all while con­tri­bu­ting to the work of some of today’s most exci­ting and visio­na­ry direc­tors and artists.

*Roy Anders­son, Jes­si­ca Haus­ner, Kor­nél Mun­druc­zó, Ruben Öst­lund, Cris­ti Puiu, Car­los Rey­ga­das, Ulrich Seidl, Lars von Trier, Lou Ye

JOB OUTLINE:

You will:

Work in an inter­na­tio­nal and mul­ti­l­in­gu­al envi­ron­ment with a fri­end­ly and moti­va­tio­nal atmo­sphe­re, along­side com­mit­ted and team-ori­en­ted col­le­agues.

Gain insight on the inde­pen­dent film indus­try while working on uni­que films.

Per­form some of the fol­lo­wing tasks as a mem­ber of our Pro­duc­tion team:
Rese­ar­ching funds, inves­tors, and cre­dit lines

Con­duc­ting spe­ci­fic rese­arch rela­ted to indi­vi­du­al film pro­jects

Assis­ting with film bud­gets

Assis­ting with cost reports for pro­du­cers and finan­cing part­ners

Assis­ting with the legal aspects of inter­na­tio­nal co-pro­duc­tions

Pre­pa­ring appli­ca­ti­ons for the fun­ding of films (Ger­man and Euro­pean film and cine­ma funds)

Assis­ting the in-house pro­du­cers in pre­pa­ring and fol­lo­wing up on shoo­tings and post-pro­duc­tion

Copy­wri­ting texts in Ger­man (for ins­tance for press books or for fun­ding appli­ca­ti­ons), and occa­sio­nal­ly trans­la­ting into Ger­man

Par­ti­ci­pa­ting in, and occa­sio­nal­ly hel­ping with, the orga­ni­sa­ti­on of test scree­nings of films in post-pro­duc­tion

Updating moni­to­ring tools

Inter­ac­ting with all the depart­ments of the Copro­duc­tion Office and faci­li­ta­ting admi­nis­tra­ti­ve pro­ces­ses, and in par­ti­cu­lar com­mu­ni­ca­ting with the finan­ce team at the Paris office.

Par­ti­ci­pa­ting in the book­kee­ping for pro­jects and being a point of cont­act for the accoun­ting team

Par­ti­ci­pa­ting in the bud­ge­ting and report­ing tasks rela­ted to film pro­duc­tion

Sche­du­ling (and occa­sio­nal­ly atten­ding) mee­tings with inter­na­tio­nal part­ners

Pre­pa­ring and fol­lo­wing up on mee­tings: logi­stics, recor­dings, tran­scripts, to do lists, coor­di­na­ting and imple­men­ting fol­low ups.

You are:

Com­for­ta­ble with wri­ting texts and have an excel­lent com­mand of Eng­lish and Ger­man (writ­ten and spo­ken). A know­ledge of French or Ita­li­an is a plus.

Detail-ori­en­ted and dead­line-focu­sed

Crea­ti­ve and able to think out­side the box

Able to demons­tra­te pre­vious expe­ri­ence in the film indus­try (a plus) and an inte­rest in finan­cial topics

Pas­sio­na­te for cine­ma

Fle­xi­ble and proac­ti­ve

Pro­fi­ci­ent with Excel (bud­gets, cash-flows, etc.)

Elo­quent and have good social skills, are capa­ble of inter­ac­ting with pro­fes­sio­nals in dif­fe­rent sec­tors: the film indus­try, the public sec­tor, artists etc.

Pro­fi­ci­ent in wri­ting memo­ran­dums

Com­pu­ter sav­vy and pro­fi­ci­ent in cloud-based appli­ca­ti­ons and vir­tu­al workspaces

A To Do Lists lover

We want to hear from you! Plea­se send your resu­me and a cover let­ter explai­ning why you are the ide­al can­di­da­te for this posi­ti­on to: staff@​coproductionoffice.​eu. If you have any ques­ti­ons regar­ding your appli­ca­ti­on, feel free to cont­act us at the same email address.

(NB: Our recruit­ment team is working remo­te­ly and can­not be rea­ched by pho­ne at our Paris or Ber­lin offices).

E‑Mail

Femi­nist fami­­ly-fri­en­d­­ly short film (Som­mer­Film­Camp 2025)

Important Info
Shoo­ting time: fes­ti­val 18–24.8, 2025 (shoo­ting dates: 20,21,22.8)
Loca­ti­on: Gru­ne­wald, Ber­lin

“Mother­board”
The short film is a reflec­tion on mother­hood and fema­le iden­ti­ty and fol­lows two women. One, an exhaus­ted nur­se and the other, a per­fect­ly con­s­truc­ted cyborg house­wi­fe. Their mee­ting beco­mes a cata­lyst for the rea­liza­ti­on that being a mother is much more than caring and self-sacri­fice: it means allo­wing vul­nerabi­li­ty, free­ing ones­elf from exter­nal expec­ta­ti­ons, and dis­co­ve­ring one’s own sources of strength in dia­lo­gue with other women.

Who we need:
Gaf­fer (Beleuch­tung)
Sound per­son (Ton)
Hair & Make-up per­son
Docu­men­ta­ry /​ Behind-the-sce­nes per­son

A bit more about us:
Mother­board is a short film that is part of Som­mer­Film­Camp, a par­ti­ci­pa­to­ry fes­ti­val. Som­mer­Film­Camp is more than just a film pro­duc­tion, it is a social move­ment that aims to shape the way films are made. In a world whe­re crea­ti­ve peo­p­le often have to choo­se bet­ween fami­ly and work, Som­mer­Film­Camp aims to pro­vi­de a space whe­re both are pos­si­ble. For one week (August 18–24, 2025), film­ma­kers, artists, and fami­lies can immer­se them­sel­ves in our Som­mer­Film­Camp in the heart of Berlin’s Gru­ne­wald forest, not just for par­ents, but for anyo­ne who belie­ves that a bet­ter work-life balan­ce can lead to more inno­va­ti­ve and impactful sto­ries.

Email us at: sommerfilmcamp@​gmail.​com

E‑Mail