Kategorie: Schwarzes Brett

Pro­duc­tion desi­gner (set and cos­tu­me) for nar­ra­ti­ve music video

We are loo­king for a pas­sio­na­te pro­duc­tion desi­gner for a music video pro­duc­tion.

The main focus is on sel­ec­ting the sets and set­ting the sty­li­stic and visu­als for dif­fe­rent sce­nes of the music video. You will be working clo­se­ly with the cine­ma­to­grapher to estab­lish the visu­al design (look, feel, colours and sources of arti­fi­ci­al lights) of the various sce­nes.

You could also be invol­ved in scou­ting and sel­ec­ting the loca­ti­ons for their sui­ta­bi­li­ty, or poten­ti­al­ly hel­ping with set design if a stu­dio shoot is pre­fera­ble.

If that sounds inte­res­t­ing, feel free to cont­act me for fur­ther details. Loo­king for­ward to hea­ring from you!
Adri­an

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CREW CALL

Docu-Fic­tion: I Love you my nar­cis­sist

We still have some open posi­ti­ons and are loo­king for a: 1. AD, Make-up artist, Focus Pul­ler, Sound engi­neer, Pro­duc­tion Desi­gner, expe­ri­en­ced PA, BTS Pho­to­grapher

Shoo­ting: Sep­tem­ber 26th – Novem­ber 1st 2024

Just week days. Public holi­days and weekends are days off.

Loca­ti­on Ber­lin – TBD

Web­site: www​.ilymn​-film​.com
You can watch a pro­of of concept/​trailer on the web­site to see how the qua­li­ty of the pro­duc­tion is.
Descrip­ti­on: Step into the dark­ness of the often-misun­ders­tood rela­ti­onship phe­no­me­non of nar­cis­sism and tho­se that wield its power, and tho­se that have sur­vi­ved it.
We fol­low the lives of three sur­vi­vors as they nar­ra­te their tra­gic expe­ri­en­ces. A despe­ra­te for­eig­ner with the chan­ce to live her dream of stay­ing in Ger­ma­ny, but only if she can endu­re mar­ry­ing a mani­pu­la­ti­ve man who will use her dream against her. Next, we dis­co­ver how one man’s quest for a bet­ter life will trap him to mar­ry an afflu­ent woman who comes from a fami­ly of nar­cis­sists. Last, we go dar­ker with an aspi­ring actress who is mani­pu­la­ted by a well-known cas­ting direc­tor with a dark secret.

Rate: Defer­red Pay­ment inclu­ding Net Pro­fit Par­ti­ci­pa­ti­on – For the defer­red pay­ment we mean that we will dou­ble up the Ger­man mini­mum wage and pay you that amount depen­ding on the share of reve­nue per­cen­ta­ge as long as the film sells.

Plea­se email to ilymn@​alefcine.​com with your CV or examp­les of work.

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Schau­spiel­erfo­tos + Sedcard (Model­fo­tos)

Lie­be Schauspieler*innen, aktu­ell bie­te ich wie­der Out­door + Stu­dio­fo­to­gra­fie. Euer Bene­fit: Coa­ching inklu­si­ve (bin selbst Schau­spie­le­rin + Com­mer­cial-Model, sowie Dozen­tin) zudem machen wir ein all-in-one-Shoo­ting – soll­tet ihr euch auch für Wer­bung bewer­ben wol­len, machen wir ein kom­plet­tes Paket 🙂 Shoo­ting 400 € zzgl. Mwst. inkl. 5 Fotos – jedes wei­te­re Foto nur 15€/Mengenrabatt. Loca­ti­on: NRW-wei­t/­DUS/ CGN – bei Fahrt­kos­ten­über­nah­me kom­me ich aber auch zu euch/​ Wenn ihr mit eurer Acting Crew Shoo­ter wollt – eben­falls Son­der­preis mög­lich. Hit me up! Die Dreh­sai­son geht wie­der los!!

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VFX Edi­tor gesucht/​​/​​wanted

Hal­lo,

wir suchen jeman­den, der uns bei unse­rem Abschluss­film im Bereich VFX unter­stützt. Es geht um ein paar klei­ne­re Ände­run­gen, nichts zu Auf­wen­di­ges.

Da wir eine stu­den­ti­sche Pro­duk­ti­on sind, kön­nen wir lei­der Bezah­lung bie­ten, wären aber sehr dank­bar über jede Hil­fe!

Bei Inter­es­se mel­det euch unter hesseamelie@​gmx.​de! 🙂

(mehr …)

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🎶 Kom­po­nist für Ihr Pro­jekt: von Film bis Wer­bung 🎶

Hal­lo! Ich bin ein talen­tier­ter Kom­po­nist mit jah­re­lan­ger Erfah­rung in der Erstel­lung von Musik in ver­schie­de­nen Gen­res. Wenn Sie ein­zig­ar­ti­ge Musik benö­ti­gen, die Ihr Pro­jekt unver­gess­lich macht, bin ich hier, um zu hel­fen!

🔸 Mei­ne Dienst­leis­tun­gen:

* Film und Seri­en: Fes­seln­de Sound­tracks, die Emo­tio­nen und Hand­lung ergän­zen.
* Wer­bung: Ein­präg­sa­me Musik­ti­tel, die Auf­merk­sam­keit erre­gen.
* Kurz- und Doku­men­tar­fil­me: Kom­po­si­tio­nen, die Bedeu­tung unter­strei­chen und Tie­fe ver­lei­hen.
* Hin­ter­grund- und Fashion-Musik: Stil­vol­le und raf­fi­nier­te Melo­dien für jede Ver­an­stal­tung.
* Medi­ta­ti­ve Musik: Ruhi­ge und ent­span­nen­de Melo­dien für Medi­ta­ti­on und Yoga.
* Song­wri­ting: Ich schrei­be ein­zig­ar­ti­ge, unver­gess­li­che Songs.
* Musik­pro­du­zent: Umfas­sen­de Unter­stüt­zung von der Idee bis zur Umset­zung.

🔸 Mei­ne Erfah­rung:
Ich arbei­te mit zahl­rei­chen inter­na­tio­na­len Pro­jek­ten zusam­men, ein­schließ­lich der bekann­ten Band Secret Ser­vice (Schwe­den), und erstel­le Musik für ver­schie­de­ne Platt­for­men und Bedürf­nis­se.

🔸 War­um mich wäh­len:

Brei­tes Gen­re-Spek­trum: Von sym­pho­ni­scher Musik bis zu moder­nen Tracks.
Indi­vi­du­el­ler Ansatz: Jedes Pro­jekt ist eine ein­zig­ar­ti­ge Geschich­te, die ich durch Musik erzäh­le.
Inter­na­tio­na­le Erfah­rung: Die Arbeit mit Pro­jek­ten aus ver­schie­de­nen Län­dern ermög­licht ein tie­fes Ver­ständ­nis unter­schied­li­cher Kul­tu­ren und Sti­le.

🌍 Mei­ne Web­sei­te: www​.tri​bu​hovs​ky​.com

Kon­tak­tie­ren Sie mich, um Ihr Pro­jekt zu bespre­chen!

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Finan­ce Mana­ger

Copro­duc­tion Office is an inter­na­tio­nal label that pro­du­ces and sells bold and award-win­ning films. Its sis­ter com­pa­ny Brief­mar­ken Wei­ne is one of Berlin’s best wine bars, focu­sing on artis­a­nal and natu­ral wines pai­red with authen­tic Ita­li­an bis­tro cui­sine, also import­ing Ita­li­an “vin d’auteur” to Ger­ma­ny. Film pro­du­cer Phil­ip­pe Bober is the foun­der of both com­pa­nies and has pro­du­ced for­ty films to date with twel­ve of the­se having been sel­ec­ted to screen in Com­pe­ti­ti­on in Can­nes, win­ning two Gol­den Palms: TRIANGLE OF SADNESS (2022) and THE SQUARE (2017) both by Ruben Öst­lund.

We are loo­king for a Finan­ce Mana­ger (job crea­ti­on) to join our Ber­lin team and to sup­port the growth of Copro­duc­tion Office’s acti­vi­ties in Ger­ma­ny. The working lan­guages are Ger­man and Eng­lish, in which full working pro­fi­ci­en­cy is requi­red, fur­ther lan­guages, in par­ti­cu­lar French and Ita­li­an, are bene­fi­ci­al.

RESPONSIBILITIES:

PROJECT MANAGEMENT AND FUNDRAISING:

  • Ensu­re the com­pa­ny is pro­per­ly fun­ded: mana­ge the fund­rai­sing pro­ces­ses with the CEO, inves­ti­ga­te new sources of finan­cing.
  • Advi­se on invest­ment acti­vi­ties and pro­vi­de stra­te­gies that the com­pa­ny should take.
  • Update the busi­ness plan for the deve­lo­p­ment of the com­pa­ny acti­vi­ties in Ger­ma­ny.

FINANCE MANAGEMENT:

  • Mana­ge the Ber­lin-based com­pa­nies’ (gas­tro­no­my, cul­tu­ral space pro­ject, film pro­duc­tion com­pa­ny) tre­asu­ry plan­ning; be in direct cont­acts with the pro­vi­ders, nego­tia­te pay­ment sche­du­le.
  • Com­mu­ni­ca­te with our Ger­man bank, request short-term and long-term cre­dits.
  • Lead the finan­cial report­ing and ana­ly­ze the finan­cial per­for­mance of the com­pa­ny.
  • Mana­ge two accoun­tants in Ber­lin.
  • Clo­se­ly col­la­bo­ra­te with our exter­nal accoun­tancy firm in Ger­ma­ny (and France when requi­red) and over­see the clo­sing of the balan­ce sheets.
  • Clo­se­ly col­la­bo­ra­te with our finan­ce team in Paris, and par­ti­cu­lar­ly, with our col­le­ague in char­ge of the tre­asu­ry plan­ning for the pro­duc­tion and sales acti­vi­ties of the com­pa­nies.
  • Help optimize/​automate finan­ce acti­vi­ties, ope­ra­ti­ons, sys­tems, and pro­ces­ses.
  • Accu­ra­te­ly prepa­re and fill sta­te and state/​government tax docu­ments.

HUMAN RESSOURCES:

  • Recruit new col­le­agues.
  • Over­see the onboar­ding pro­cess, inclu­ding con­tracts draf­ting with our exter­nal advi­sor.
  • Assist with the Manage­ment of the Ber­lin based team (Wine Bar staff, Cul­tu­ral space pro­ject team).

YOUR BACKGROUND:

  • You are flu­ent in Eng­lish and Ger­man. French and Ita­li­an lan­guage are a plus.
  • You have a master’s degree in finance/​business or fur­ther edu­ca­ti­on in finance/​accounting with 3+ years of rele­vant pro­fes­sio­nal expe­ri­ence.
  • You have excel­lent ana­ly­ti­cal and exe­cu­ti­on skills and tho­rough under­stan­ding of finan­cial pro­ces­ses.
  • You are a per­fec­tion­ist, with atten­ti­on to detail and mee­ting dead­lines.
  • You are fle­xi­ble with a proac­ti­ve skill set.
  • You are com­pu­ter sav­vy and pro­fi­ci­ent in cloud-based appli­ca­ti­ons and vir­tu­al workspaces.
  • You like working in a team and your strong com­mu­ni­ca­ti­on skills ensu­re the capa­bi­li­ty of working with peo­p­le of various natio­na­li­ties. Col­le­agues can always rely on you.

YOU WILL:

  • Work in a mul­ti-lin­gu­al envi­ron­ment, in a fri­end­ly and moti­va­tio­nal atmo­sphe­re with enga­ged and inter­na­tio­nal col­le­agues who bring com­mit­ment and cama­ra­de­rie to their work.
  • Obtain valuable expe­ri­ence from working with Phil­ip­pe Bober on uni­que pro­jects.

We look for­ward to recei­ving your full appli­ca­ti­on with a cover let­ter in Eng­lish at staff@​coproductionoffice.​eu indi­ca­ting whe­re you saw this post. (NB Appli­ca­ti­ons wit­hout cover let­ter will not be con­side­red).

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Finan­ce and Accoun­ting Intern

By: Copro­duc­tion Office
Busi­ness sec­tor: Film Indus­try (Inter­na­tio­nal Sales Agen­cy and Pro­duc­tion)
Intern­ship: 1200€ /​ month befo­re taxes for intern­ship
App­ren­ti­ce­ship: Legal remu­ne­ra­ti­on for app­ren­ti­ce­ship
Place: Paris
Intern­ship: 6 months, full time
App­ren­ti­ce­ship: To be dis­cus­sed
Start date: Accor­ding to avai­la­bi­li­ty

We are loo­king for a glo­bal­ly min­ded col­le­ague, who has orga­niza­tio­nal skills, is result-ori­en­ted and has an inte­rest in art-house cine­ma, to join our Paris-based finan­ce team, working in a dyna­mic and inter­na­tio­nal envi­ron­ment.

COMPANY PROFILE


Based in Paris and Ber­lin, Copro­duc­tion Office is an inter­na­tio­nal dis­tri­bu­tor and pro­du­cer of bold, award-win­ning films.

Copro­duc­tion Office’s CEO and foun­der Phil­ip­pe Bober has work­ed with pro­mi­nent ground-brea­king direc­tors* from ear­ly on in their care­ers and has pro­du­ced thir­ty-three films to date. The majo­ri­ty of the­se films were sel­ec­ted for the main com­pe­ti­ti­ons in Can­nes, Venice and Ber­lin, whe­re they have recei­ved many major pri­zes, most nota­b­ly the Venice Gol­den Lion in 2014 for Roy Andersson’s A PIGEON SAT ON A BRANCH REFLECTING ON EXISTENCE, and the Pal­me d’Or in 2017 and in 2022 for THE SQUARE and TRIANGLE OF SADNESS by Ruben Öst­lund. Copro­duc­tion Office’s inter­na­tio­nal sales divi­si­on dis­tri­bu­tes a cata­lo­gue com­po­sed of films pro­du­ced by Phil­ip­pe Bober as well as acqui­red titles and res­to­red clas­sics, inclu­ding Rober­to Rossellini’s key films. The cata­lo­gue is uni­que for its artis­tic strength, with films that have an indi­vi­du­al and distinc­ti­ve cine­ma­tic lan­guage, and often dar­ing con­tent.

*Lars von Trier, Roy Anders­son, Ulrich Seidl, Jes­si­ca Haus­ner, Lou Ye, Kor­nél Mun­druc­zó, Cris­ti Puiu, Michel­an­ge­lo Framm­ar­ti­no, Car­los Rey­ga­das, Ruben Öst­lund.

JOB OUTLINE

You will work in Copro­duc­tion Office’s finan­ce depart­ment in inter­ac­tion with other depart­ments (sales, pro­duc­tion, fes­ti­vals, mar­ke­ting, deli­ver­a­bles) and par­ti­ci­pa­te to the fol­lo­wing tasks:

  • Pro­vi­ding sup­port in day-to-day finan­ce admi­nis­tra­ti­on to ensu­re smooth depart­ment­al ope­ra­ti­ons.
  • Con­duc­ting pre-accoun­ting tasks, veri­fy­ing exter­nal accoun­ting ent­ries to ali­gn with the company’s sales and pro­duc­tion acti­vi­ties, with a par­ti­cu­lar empha­sis on topics such as: film coll­ec­tion agen­ci­es and pro­duc­tion cre­dits.
  • Imple­men­ting a pay­ment con­trol pro­ce­du­re, stream­li­ning non-bank trans­fer expen­ses among col­le­agues, retrie­ving invoices and receipts, ther­eby mini­mi­zing infor­ma­ti­on loss.
  • Main­tai­ning up-to-date moni­to­ring charts, inclu­ding paya­bles and receiv­a­bles track­ing, to faci­li­ta­te effec­ti­ve finan­cial over­sight.
  • Assis­ting in appli­ca­ti­ons for banks, cre­dit insti­tu­ti­ons and public funds ope­ra­ting in the film sec­tor and their finan­cial deli­ver­a­bles.
  • Pre­pa­ring detail­ed film cos­ts reports for right hol­ders and public funds.

YOU ARE

  • Flu­ent in French, Eng­lish, and Ger­man – with a mini­mum level of B2
  • Fami­li­ar with finan­ce and/​or accoun­ting noti­ons; rele­vant edu­ca­ti­on is high­ly app­re­cia­ted.
  • Com­for­ta­ble with num­bers and finan­cial ana­ly­ses and pro­fi­ci­ent with Excel.
  • An inno­va­ti­ve thin­ker who can think out­side the box.
  • Both ana­ly­ti­cal and syn­the­ti­cal.
  • A per­fec­tion­ist, with atten­ti­on to detail and mee­ting dead­lines.
  • Com­pu­ter sav­vy and pro­fi­ci­ent in cloud-based appli­ca­ti­ons and vir­tu­al workspaces.
  • A cine­phi­le with a strong inte­rest in dis­co­ve­ring the indus­tri­al side of cine­ma.

YOU WILL

  • Gain an over­sight on dif­fe­rent aspects of the com­pa­ny inclu­ding finan­ce, sales, mar­ke­ting, and pro­duc­tion as we are a small and fle­xi­ble com­pa­ny.
  • Work in a mul­ti-lin­gu­al envi­ron­ment, in a fri­end­ly and moti­va­tio­nal atmo­sphe­re with enga­ged and inter­na­tio­nal col­le­agues who bring com­mit­ment and cama­ra­de­rie to their work
  • Obtain valuable expe­ri­ence from working with Phil­ip­pe Bober on uni­que pro­jects

We look for­ward to recei­ving your full appli­ca­ti­on with a cover let­ter in Eng­lish at staff@​coproductionoffice.​eu (NB Appli­ca­ti­ons wit­hout cover let­ter will not be con­side­red). Plea­se also indi­ca­te whe­re you saw this post.

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Film­ge­schäfts­füh­rung /​​ Finanz­buch­hal­tung

Copro­duc­tion Office/​Essential Film­pro­duk­ti­on GmbH ist ein inter­na­tio­na­le Fir­ma (Deutsch­land, Frank­reich, Groß­bri­tan­ni­en, Däne­mark), die muti­ge und preis­ge­krön­te Fil­me pro­du­ziert und ver­treibt. Pro­du­zent und Grün­der Phil­ip­pe Bober hat bis heu­te zwei­und­drei­ßig Fil­me von inno­va­ti­ven Regis­seu­ren wie Roy Anders­son, Jes­si­ca Haus­ner, Ruben Öst­lund, Car­los Rey­ga­das uvm. pro­du­ziert. Zu den zahl­rei­chen gewon­nen Prei­sen gehö­ren u.a. die Gol­de­ne Pal­me 2022 für Ruben Öst­lunds TRIANGLE OF SADNESS oder der Gol­de­ne Löwe 2014 in Vene­dig für Roy Anders­son.

Zur Unter­stüt­zung unse­res Teams suchen wir zum nächst­mög­li­chen Zeit­punkt eine Film­ge­schäfts­füh­rung in Teil­zeit (1–3 Tage pro Woche) in Ber­lin (Mög­lich­keit auf Home Office).

AUFGABEN

Was Sie erwar­tet:

  • Füh­ren der Haupt­buch­hal­tung (Erfah­rung im Umgang mit Sesam von Vor­teil)
  • Sie küm­mern sich um die Erstel­lung von Monats‑, Quar­tals- und Jah­res­ab­schlüs­sen
  • Sie über­neh­men das Tages­ge­schäft in der Finanz‑, Kre­di­to­ren- und Debi­to­ren­buch­hal­tung
  • Sie steu­ern den inter­nen Bear­bei­tungs- und Frei­ga­be­pro­zess sowie die Kon­tie­rung von Ein­gangs- und Aus­gangs­rech­nun­gen
  • Sie füh­ren Kon­to­ab­stim­mun­gen, Bank­bu­chun­gen, Rech­nungs­ab­gren­zun­gen und Cash Manage­ment durch
  • Sie arbei­ten in direk­tem Kon­takt mit unse­rer Geschäfts­lei­tung, unse­ren Pro­jekt­lei­tern und unse­ren Pro­jekt­as­sis­ten­ten
  • Sie fun­gie­ren als Ansprech­part­ner für inter­ne und exter­ne Part­ner, ins­be­son­de­re Steu­er­be­ra­ter und Wirt­schafts­prü­fer
  • Sie unter­stüt­zen den CFO und die Pro­jekt­lei­ter bei der Erstel­lung von Finan­zie­rungs- und Bank­kre­dit­an­trä­gen

PROFIL

Was Sie mit­brin­gen:

  • Aus­ge­präg­te kauf­män­ni­sche Kennt­nis­se
  • Prak­ti­sche Erfah­rung in der Finanz­buch­hal­tung und im Rech­nungs­we­sen
  • Geüb­ter Umgang mit SESAM FIBU /​ (Lohn) von Vor­teil
  • Sehr gute Kennt­nis­se in der Rech­nungs­le­gung nach HGB/​IFRS. Idea­ler­wei­se auch in der Kon­zern­rech­nungs­le­gung eines inter­na­tio­na­len Unter­neh­mens
  • Eng­lisch (min­des­tens B1)

WIR BIETEN

  • Arbeit an inter­na­tio­nal renom­mier­ten Film­pro­duk­tio­nen
  • Mög­lich­keit zur Remo­te-Arbeit von zu Hau­se
  • Enga­gier­tes Team mit fla­chen Orga­ni­sa­ti­ons­struk­tu­ren
  • Gehalt abhän­gig von Erfah­rung

Wir freu­en uns auf Ihre voll­stän­di­ge Bewer­bung mit Anschrei­ben in eng­li­scher Spra­che an staff@​coproductionoffice.​eu unter Anga­be, wo Sie die­sen Bei­trag gese­hen haben (Hin­weis: Bewer­bun­gen ohne Anschrei­ben wer­den nicht berück­sich­tigt).

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Media Com­po­ser and Music Pro­du­cer loo­king for Pro­jects in Berlin/​​Europe

Dear Film Stu­dents,

I am a Ber­lin-based com­po­ser loo­king for film/​TV/​game pro­jects. I spent the last few years stu­dy­ing screen scoring in the US and working on pro­jects in Bos­ton and Los Ange­les. I would be very inte­res­ted in col­la­bo­ra­ting on a pro­ject – plea­se reach out if you have some­thing in mind. ☺

Best,
Sam

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