I’m an artist buil­ding a cine­ma­tic uni­ver­se — an ori­gi­nal series, music vide­os, a social media world, and a mem­ber­ship plat­form, all one con­nec­ted sto­ry. Not cor­po­ra­te reel-fil­ler, not an agen­cy job whe­re someone else owns the visi­on. Whoe­ver joins gets real crea­ti­ve owner­ship — your own ear, your own voice, sha­ping how this world actual­ly sounds.

Right now I’m loo­king for a sound desi­gner for our teaser and trai­ler. The series its­elf is most­ly alre­a­dy shot and in post, so this is whe­re the sonic iden­ti­ty actual­ly gets defi­ned right now — sound design here is not an aftert­hought, it’s a real crea­ti­ve role.

Down the line, once we move into the series its­elf, I’ll also be loo­king to bring on a com­po­ser to build the score along­side the sound design.

I care less about „one skill, per­fect­ly polished“ and more about ran­ge — if sound design is your main thing but you’­re also strong some­whe­re else (score, mixing, wha­te­ver), that’s exact­ly the kind of per­son I want working clo­se­ly with me long-term, not a one-off hire.

You can spend the next year mixing other people’s foo­ta­ge nobo­dy remem­bers, or help defi­ne what an enti­re cine­ma­tic uni­ver­se sounds like.

It’s paid work — I won’t pre­tend it’s the big-bud­get kind yet. What it actual­ly is: get­ting in ear­ly on some­thing built to grow a lot, and gro­wing with it.

Still stu­dy­ing or just gra­dua­ted is com­ple­te­ly fine — I care about tas­te and hun­ger more than years of expe­ri­ence.

If that’s you: send a cou­ple of links to work you’­re proud of, and a few lines about what got you into this craft and what you’­re cha­sing right now. If it clicks, we start with a small paid test on our teaser befo­re any­thing else.

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I’m an artist buil­ding a cine­ma­tic uni­ver­se — an ori­gi­nal series, music vide­os, a social media world, and a mem­ber­ship plat­form, all one con­nec­ted sto­ry. Not cor­po­ra­te reel-fil­ler, not an agen­cy job whe­re someone else owns the visi­on. Whoe­ver joins gets real crea­ti­ve owner­ship — your own eye, your own voice, sha­ping how this world actual­ly looks.

Right now I’m loo­king for a colo­rist for our teaser. The series its­elf is most­ly alre­a­dy shot, so this is whe­re the visu­al lan­guage actual­ly gets defi­ned right now — gra­ding here is not an aftert­hought, it’s a real crea­ti­ve role.

Down the line, once we move into new pro­jects, I’ll also be loo­king for a DP to help build a com­ple­te­ly uni­que visu­al lan­guage for this world with us.

I care less about „one skill, per­fect­ly polished“ and more about ran­ge — if gra­ding is your main thing but you’­re also strong some­whe­re else (came­ra, edit, VFX, wha­te­ver), that’s exact­ly the kind of per­son I want working clo­se­ly with me long-term, not a one-off hire.

You can spend the next year gra­ding other people’s foo­ta­ge nobo­dy remem­bers, or help defi­ne what an enti­re cine­ma­tic uni­ver­se looks like.

It’s paid work — I won’t pre­tend it’s the big-bud­get kind yet. What it actual­ly is: get­ting in ear­ly on some­thing built to grow a lot, and gro­wing with it.

Still stu­dy­ing or just gra­dua­ted is com­ple­te­ly fine — I care about tas­te and hun­ger more than years of expe­ri­ence.

If that’s you: send a cou­ple of links to work you’­re proud of, and a few lines about what got you into this craft and what you’­re cha­sing right now. If it clicks, we start with a small paid test on our teaser befo­re any­thing else.

E‑Mail